Freakonomics

Freakonomics is one of those films that tries to make a complex subject accessible to a mainstream audience. Here, there subject in question is economics, and how it is everywhere. Although trying to reach a wider audience in a fun way we can relate to is admirable, it can't avoid a patronizing tone. Still, there are lots of interesting parts to this documentary. It's split into a number of sections, with each section helmed by a familiar documentary filmmaker. This allows for a number of fun and interesting style to be put on display. As we delve into the world of economics, this all feels like a few great bits in an overambitious whole. Each segment has a fascinating topic, and one that could be explored at full length. Corruption and murder in sumo wrestling, how our names affect our lives, and how abortion may have helped to reduce the crime rate. All great subjects that are handled with kid gloves. It has inspired me to look into further detail about some things, but I wonder if the ideas and thoughts provoked will last a long time.

1/27/18. An entertaining documentary that looks at the various ways economics play a role in our lives. So educational without feeling like you are being lectured to about ethical behaviors, cheating, etc. Worth catching. You'll learn some about how society functions!

I never read the book, but know that it is very popular. The movie does a bad job at selling the book.

Though, I would still be up for reading the book after having watched the movie. This is because the fault of the movie was only partially due to the content of the book. The movie tries to move along at quick pace at the beginning. It has a very catchy poppy kind of theme to it and talks about a real practical use of the study of economics.

After those 5 minutes, things seem to go terribly south. We get this long and fact lacking piece about sumo wrestling. There is an interesting statistic at the beginning of the segment about how sumo wrestlers will lose matches when there is no real loss to them in order to get payback in the future. The rest of it is exposition about how all the super smart economists are using these fancy numbers and statistics to give very good proof that sumo wrestlers are cheating. I would have liked to hear more about these statistics and the reasoning behind why its very likely that we're cheating. This smug movie instead insults our intelligence and passes by this thinking that we would be too stupid to understand it. The narrator goes on about assassinations of whistle blowers... blala yada yada. I started to lose interest at this point.

There was a part that had an interesting look at why abortion may be one of the key reasons of the drop in crime in the 90's. This really peaked my interest and some convincing figures where given. I liked this segment and am eager to read more about this.

After that is a boring long Good Morning America-esque expose on paying kids to get better grades in school. The kids are annoying, the concept is annoying, the results are paltry, and it all seems pretty meaningless by the time you get to the end of it. This was the segment that really killed the movie. It felt like it went on for an hour, although I'm sure it didn't. This reality show garbage really shouldn't be in any kind of movie that calls itself a documentary.

Employing 5 teams of directors (who did not collaborate per the producer's q&a comments), the film adaptation of FREAKONOMICS is a hit-or-miss extravaganza, mostly missing the mark. Even fans of the popular book (and its followups) are unlikely to be stimulated.

Superstar doc director Alex Gibney takes precedence here, and producer Chad Troutwine acknowledged at the post-screening q&a that his segment runs long for some audiences. I found his study of corruption in the ranks of Japan's sumo wrestling rather uninteresting, and Gibney's forced comparisons to the bad boys of Wall Street (Bernie Madoff, etc.) pointless and self-serving.

Movie's most controversial sequence has to be Eugene Jarecki's elaboration of the book's chapter on the causes of the lowered U.S. crime rate in recent decades. As an anti-Giuliani New Yorker I certainly ate up the red meat portion of the footage, indicating that our local self-appointed savior really had nothing to do with the dramatic lowering of the NYC homicide and violent crime rate since around 1989. However, author/economist Steven Levitt's conclusion that, statistically, 50% of the reduction in crime in this country is attributable to Roe v. Wade making abortion legal and readily available to a whole generation beginning in the '70s (causing there to be fewer unwanted kids in existence who might have grown up to become serious criminals 16 to 20 years after) spurious and more a case of grandstanding that solid science. Sure, he controlled for all the relevant variables (areas of the country that had already legalized abortion prior to 1973 vs. the rest of the nation, etc.), but I don't buy it. And worse yet, where does it lead us -to endorse eugenics next?

That segment exemplifies my basic problem with FREAKONOMICS, the publishing phenomenon and now the movie: trying to analyze complex issues from an economic standpoint is simply not applicable to all situations, unless you force it. It is just Levitt applying his expertise willy-nilly in what I take to be self-aggrandizement, and obviously millions of people are taken in by his con. Watching the film I became painfully aware of his heavy emphasis, almost ad nauseum, on the concept of "incentives", which he clearly believes professionally to be a basic way of explaining human behavior. Repeated over & over, the shallowness of this approach becomes quite evident.

There is a very cute segment by Morgan (SUPERSIZE ME) Spurlock on naming children, emphasizing issues with the prevalence of unique (even Uneek as a choice) names within the Black community, but this is also one of the dumber segments by the time all the theories have been trotted out and lampooned. The femme directors Grady & Ewing take on use of cash incentives (there's that word again) to attempt to approve grades and achievement of Chicago Heights ninth graders, but that part of the film struck me as pretty phony, even including a fantasy sequence, though the main protagonist named Urail (another unique name victim) is a winning screen presence.

Seth Gordon, who interviewed Levitt and his co-author, journalist Stephen Dubner at length, comes off best in this documentary since he does only the intros & interstitial segments. Overall, as one naysayer at the q&a perceptively noted, the film is mainly old-hat.

Until 2005, the words 'economics' and 'fun' were unlikely to be found in the same sentence. Economics was seen as a dry, technical, mathematical discipline: the preserve of driven businessmen, greedy bankers and staid Treasury officials. Fun was its opposite: spontaneous enjoyment available to regular people.

The publication of Freakonomics in 2005 changed all that. Steven Levitt, a professor of economics at the University of Chicago, and Stephen Dubner, a New York Times journalist, somehow gave economics popular appeal. So far the book has sold over four million copies worldwide. Last year, a sequel, Superfreakonomics, was published and there is also a Freakonomics blog linked to the New York Times website.

Wherever there's an unexpected publishing hit, you can be sure that a bandwagon will soon follow. In 2007 alone we had Steven Landsburg's More Sex is Safer Sex, Tyler Cowen's Discover Your Inner Economist and Diane Coyle's The Soulful Science. Nor is the fun confined to the paperback stands. Earlier this month there was even an international academic symposium on 'economics made fun in the face of economic crisis' at Erasmus University in Rotterdam.

The film follows the structure of the book with chapters loosely linked by the broad approach of the authors. There is little sense of narrative beyond that. However, one innovation is that different chapters are made by different directors including Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side) and Seth Gordon (The King of Kong).

Freakonomics the movie is worth watching for two reasons. As with any cultural phenomenon, whether it is The X-Factor or Strictly Come Dancing (aka Dancing with the Stars outside the UK), it is interesting to ask why it catches the popular imagination. This is particularly true when the subject matter is – or at least was – widely seen as incredibly dull.

Understanding the approach to economics taken in the film also helps reveal some deeper truths. It shows the limitations of contemporary economics and can even help viewers understand fashionable policy initiatives such as the attempt to 'nudge' people to behave in a particular way.

The first thing that viewers of the Freakonomics movie are likely to notice it that has little time for the traditional subject matter of the discipline. There is no room for discussion of business, supply-and- demand curves, and certainly no mathematics. Instead it covers such subjects as parenting, naming babies, cheating at exams, corruption among Sumo wrestlers and crime. If anything, such topics would normally be classified as sociology rather than economics.

From the authors' perspective, what makes their book economics is their approach to these subjects. Their concerns are unashamedly practical. They want to use economic tools to help improve human behaviour in all these areas.

Levitt and Dubner's mantra, and indeed that of contemporary market economics generally, is that 'humans respond to incentives'. Such incentives are often financial but they can also be moral and social. In each case the authors ask themselves what incentives would work best to improve outcomes:

Is bribing toddlers with M&Ms a good way to potty train them? Should pupils be paid to perform better at school? If so, at what age and exactly how? Does choosing a particular name for a baby improve its life chances? For example, through the choice of name alone, is a Brendan likely to do better than a Deshawn? Both the attractions and limitations of this form of economics should already have started to become clear. The subject matter of Freakonomics relates to everyday interests and concerns. It is about practical questions that confront individuals and parents as well as policymakers.

In many ways it is better seen as a form of self-help than economics in the traditional sense. It is an attempt to find better, supposedly more scientific, ways to improve the behaviour of errant individuals. It says little, if anything, about traditional key economic questions such as how to organise production, how to raise productivity or how to create a more prosperous society.

Although the Freakonomics approach is not entirely mainstream it is not marginal either. Gary Becker, also a professor of economics at the University of Chicago, won the Nobel Prize for economics in 1992 for work on similar questions to those raised in the film. Although his work was not aimed at the general public, his concerns were comparable to those of Levitt and Dubner's.

Even mainstream economics, although more concerned with business than Freakonomics, suffers from many of the same weaknesses. Its focus is largely on individual consumer behaviour, its approach is ahistorical and it has little to say about the process of production.

Freakonomics the film, like the book, is entertaining and sometimes thought-provoking. Although it is more self-help than traditional economics it shares many of the weaknesses of more serious works in the discipline.

Its focus on individual behaviour also lends itself to a preoccupation with manipulating individual choices. That is where Freakonomics becomes truly freaky.