An illustration of Frank Sheeran's life, from W.W.II veteran to hit-man for the Bufalino crime family and his alleged assassination of his close friend Jimmy Hoffa.An illustration of Frank Sheeran's life, from W.W.II veteran to hit-man for the Bufalino crime family and his alleged assassination of his close friend Jimmy Hoffa.An illustration of Frank Sheeran's life, from W.W.II veteran to hit-man for the Bufalino crime family and his alleged assassination of his close friend Jimmy Hoffa.
- Nominated for 10 Oscars
- 73 wins & 359 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I don't know where to start on this one other than thanking Netflix for being the only distributor to fund this movie so we could see Big screen legends take their last big swing. The set and screen is smaller than I liked it to be, it being released on a streaming site but it's better than never seeing it.
It's not a flawless movie and I wouldn't necessarily call it a masterpiece or something new and innovative. But for an old genre gangsta flick it's easily one of the best ones out there.
The plot is a lot like Godfather 2 from De Niros perspective but that's all there is. It is more grounded and far too subtle compared to Goodfellas. And that's a good thing considering the age of the lead actors in the movie. But that doesn't mean its dull, gray and dreary because it isn't. It is surprisingly humorous, has some very serious scenes and doesn't shy away from giving us a blast of nostalgia every now and then.
The cinematography is quite different from the usual modern movies we are accustomed to. It doesn't have an overabundance of Wes Anderson symmetric shots or Roger Deakins like Wide angle shots. The film was shot in a very old timey way with the camera pans and edits. The editing in the movie is great and the score is fitting. Technical aspects considered it isn't innovative or something jawdropping, but that was never supposed to be the main focus of the movie.
The main focus for me was absolutely the acting. And why wouldn't it be with a cast like this? Al Pacino and Robert De Niro for the 1st time on screen together since Heat. Joe Pesci and De Niro since Goodfellas. Joe Pesci coming out of retirement and Martin Scorsese directing all these legends on screen together! If this doesn't get you excited for this film then I'm afraid nothing will.
Speaking of acting my god do they act! Robert De Niro gives his best performance in his older age with this. Joaquin Phoenix was a top contender for best Actor Oscar and I agreed with that but after watching THE IRISHMAN everything changed. Robert De Niro basically steals his Oscar like a gangsta and gives the best performance of the year so far. Old Bobby here still giving top notch actors a run for their money and the guy is 76 years old!
When was the last time you saw Al Pacino give a really good performance? Well that's exactly what he does here and it feels so good to see him find his glory days. He is his usual shouty self but shines better when he tones it down and let expressions speak.
And boy have I missed Joe Pesci over the years and don't worry he's still intense as usual. And that's weird considering he is extremely toned down in this movie. If you're looking for a violent Joe Pesci like he was in Goodfellas you'll be disappointed. But if you're looking for an intimidating Pesci with a huge presence then you're in the right place.
Harvey Keitel is in the movie for a very short time but he did his job fantastically. Ray Romano was a surprising standout and I can't believe how he kept up on the same plane as some of these industry legends. He doesn't really have a bigger role and basically gets lost as the film progresses but he made the most of his screentime.
The film is 3hours and 30 minutes long but it never felt that long honestly. The first 2 hours went by a breeze but the 3rd hour was unapologetically slow. It felt a bit dragged on during the final hour and felt it was skipping ahead at the same time. it wasn't boring in any way but felt it could've been handled better. The CGI de-aging is so good that after a while you get confused how old the lead actors actually are. This is the best de-aging tech I've ever seen honestly.
Despite it being slow in the latter end it still is a fantastic film. It doesn't set out to do something different, it doesn't try to set it aside from the herd. Scorsese did what he does best and made the movie he wanted to make. Its more of a last big hurrah for these living legends than something out to be a flawless masterpiece. It will most likely be the last of its kind and also the last collaboration of Scorsese with these acting legends. Considering the time we are in this might as well be the last Scorsese film, it most definitely is the last Joe Pesci appearance in a movie and the last good mobster hit with genre legends like Al Pacino and De Niro. So enjoy it while you can and savor it. Remember this movie 10 years from now and rejoice that you were alive to witness something truly fantastic. THE IRISHMAN is a farewell for most of these legends and a loveletter to the genre. It's the last of its kind and it went out in true mobster style.
It's not a flawless movie and I wouldn't necessarily call it a masterpiece or something new and innovative. But for an old genre gangsta flick it's easily one of the best ones out there.
The plot is a lot like Godfather 2 from De Niros perspective but that's all there is. It is more grounded and far too subtle compared to Goodfellas. And that's a good thing considering the age of the lead actors in the movie. But that doesn't mean its dull, gray and dreary because it isn't. It is surprisingly humorous, has some very serious scenes and doesn't shy away from giving us a blast of nostalgia every now and then.
The cinematography is quite different from the usual modern movies we are accustomed to. It doesn't have an overabundance of Wes Anderson symmetric shots or Roger Deakins like Wide angle shots. The film was shot in a very old timey way with the camera pans and edits. The editing in the movie is great and the score is fitting. Technical aspects considered it isn't innovative or something jawdropping, but that was never supposed to be the main focus of the movie.
The main focus for me was absolutely the acting. And why wouldn't it be with a cast like this? Al Pacino and Robert De Niro for the 1st time on screen together since Heat. Joe Pesci and De Niro since Goodfellas. Joe Pesci coming out of retirement and Martin Scorsese directing all these legends on screen together! If this doesn't get you excited for this film then I'm afraid nothing will.
Speaking of acting my god do they act! Robert De Niro gives his best performance in his older age with this. Joaquin Phoenix was a top contender for best Actor Oscar and I agreed with that but after watching THE IRISHMAN everything changed. Robert De Niro basically steals his Oscar like a gangsta and gives the best performance of the year so far. Old Bobby here still giving top notch actors a run for their money and the guy is 76 years old!
When was the last time you saw Al Pacino give a really good performance? Well that's exactly what he does here and it feels so good to see him find his glory days. He is his usual shouty self but shines better when he tones it down and let expressions speak.
And boy have I missed Joe Pesci over the years and don't worry he's still intense as usual. And that's weird considering he is extremely toned down in this movie. If you're looking for a violent Joe Pesci like he was in Goodfellas you'll be disappointed. But if you're looking for an intimidating Pesci with a huge presence then you're in the right place.
Harvey Keitel is in the movie for a very short time but he did his job fantastically. Ray Romano was a surprising standout and I can't believe how he kept up on the same plane as some of these industry legends. He doesn't really have a bigger role and basically gets lost as the film progresses but he made the most of his screentime.
The film is 3hours and 30 minutes long but it never felt that long honestly. The first 2 hours went by a breeze but the 3rd hour was unapologetically slow. It felt a bit dragged on during the final hour and felt it was skipping ahead at the same time. it wasn't boring in any way but felt it could've been handled better. The CGI de-aging is so good that after a while you get confused how old the lead actors actually are. This is the best de-aging tech I've ever seen honestly.
Despite it being slow in the latter end it still is a fantastic film. It doesn't set out to do something different, it doesn't try to set it aside from the herd. Scorsese did what he does best and made the movie he wanted to make. Its more of a last big hurrah for these living legends than something out to be a flawless masterpiece. It will most likely be the last of its kind and also the last collaboration of Scorsese with these acting legends. Considering the time we are in this might as well be the last Scorsese film, it most definitely is the last Joe Pesci appearance in a movie and the last good mobster hit with genre legends like Al Pacino and De Niro. So enjoy it while you can and savor it. Remember this movie 10 years from now and rejoice that you were alive to witness something truly fantastic. THE IRISHMAN is a farewell for most of these legends and a loveletter to the genre. It's the last of its kind and it went out in true mobster style.
Some might hate it but here is a little bit of truth about the Irishman, against the 8s and the 9s and the 10s:
It is a "Too long didn't read" kind of movie.
What is the reason of this enormous more-than-three-hours runtime? Probably to enjoy as much as possible Pesci, Pacino and De Niro working together.
But folks, this time has come and gone...
Goodfellas, Casino etc. and anything Scorcese did is amazing.
But getting mob-type genre back in play in 2020 needs a bit of a twist and taste for the different audiences. 3' 24" is outrageously long and slow even for the fanatics.
I watched it on Netflix and it took 2 days to go through the movie.
Very slow character development, which is absolutely not necessary, as we as audiences are already trained in this genre.
If you don't like this mob-type genre and these actors, there is almost no chance you would watch this movie or you 'd drop it after half an hour.
Only plus is the good acting of course and the great directing but...if you are new to this genre, start from the classics!
6/10
Amazing acting, great story lines and some twists. Loved how the story was told through the eyes of De Niro's character as he was at the end of his life.
For anyone that likes gangster movies, it is worth a watch - high quality actors from across the great gangster films. The only negative is that it lasts 3.5 hours. This would put me off watching it again soon, but definitely worth seeing for the first time.
Kept me glued throughout - defo give it a watch. You won't be disappointed.
For anyone that likes gangster movies, it is worth a watch - high quality actors from across the great gangster films. The only negative is that it lasts 3.5 hours. This would put me off watching it again soon, but definitely worth seeing for the first time.
Kept me glued throughout - defo give it a watch. You won't be disappointed.
Classic Scorsese . De Niro is the best he's been for years . Pacino is really magnetic and charming . But for me, Joe Pesci is the standout. Quietly deadly, magnetic , loyal, complicated, its him that will get the Oscar . Saw it at the cinema ( sorry Netflix but I am not watching Scorsese at home ) and it was superb.
Oh Anna Paquin is used quite cleverly as well. Good actress . Decent performance
Go and see it at the cinema . You will remember the masters returning for one last ride
7sn3z
This film is super long. Too long to sit in the cinema for as fantastic as it looks. I ran out of snacks, I was so gripped I didn't go to the toilet which meant my bladder was bursting only adding to the tension.
This is pretty much the Avengers of the gangster movies where all of your favourite people are in one film written by the best writer and directed by the best director. Only Walken and Woods are missing.
Making de niro young kind of works and isn't as distracting as I thought and Pacino is fantastic. If you expect Pesci to be the nutjob he was in the other Scorsese movies then think again and this is no bad thing. Pesci is one of the best actors alive with a fantastic range and this movie proves it.
The Irishman is lovely to look at but for god sakes take a leak before you go or wait for its Netflix debut where you can watch it with whiskey and pause it for comfort breaks.
This is pretty much the Avengers of the gangster movies where all of your favourite people are in one film written by the best writer and directed by the best director. Only Walken and Woods are missing.
Making de niro young kind of works and isn't as distracting as I thought and Pacino is fantastic. If you expect Pesci to be the nutjob he was in the other Scorsese movies then think again and this is no bad thing. Pesci is one of the best actors alive with a fantastic range and this movie proves it.
The Irishman is lovely to look at but for god sakes take a leak before you go or wait for its Netflix debut where you can watch it with whiskey and pause it for comfort breaks.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Did you know
- GoofsWhen the men are unloading the weapons from the US Army truck, two men can be seen carrying a box of rifles labeled "M-16" but the US Army didn't start getting M-16 rifles until 1964 which would have been three years after the Bay of Pigs Invasion that took place in 1961.
- Quotes
Jimmy Hoffa: Who's gonna be there?
Frank Sheeran: Everybody.
Jimmy Hoffa: Tony, Tony, Tony, Tony, and Tony, huh?
- Crazy creditsOther than the Netflix logo and the film's original title (I Heard You Paint Houses), there are no opening credits for this movie.
- ConnectionsFeatured in The Oscars® Are Officially No Longer the Oscars® (2019)
- SoundtracksIn the Still of the Night (I'll Remember)
Written by Fred Parris
Performed by The Five Satins
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El irlandés
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $159,000,000 (estimated)
- Gross worldwide
- $968,853
- Runtime3 hours 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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