In 2006-2007 a group of investors bet against the United States mortgage market. In their research, they discover how flawed and corrupt the market is.In 2006-2007 a group of investors bet against the United States mortgage market. In their research, they discover how flawed and corrupt the market is.In 2006-2007 a group of investors bet against the United States mortgage market. In their research, they discover how flawed and corrupt the market is.
- Director
- Writers
- Stars
- Won 1 Oscar
- 37 wins & 81 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter Christian Bale met with the real Dr. Michael Burry, he asked to have Burry's cargo shorts and T-shirt, which he then wore in the movie. Bale later said he hoped Burry would make it to the film's L.A. premiere, "because I really want to sit next to him and see if he's going to punch me in the f***ing face."
- GoofsThe quote, "And Caesar wept, for there were no more worlds to conquer." is wrong. It was Alexander the Great who wept.
- Quotes
Mark Baum: I don't get it. Why are they confessing?
Danny Moses: They're not confessing.
Porter Collins: They're bragging.
- ConnectionsFeatured in 73rd Golden Globe Awards (2016)
- SoundtracksBlood and Thunder
Written by Brann Dailor, Brent Hinds, Bill Kelliher, and Troy Sanders
Performed by Mastodon
Courtesy of Relapse Records
Featured review
The Big Short (2015)
**** (out of 4)
Four different groups of people notice that something isn't quite right with the housing market and soon make a large wager that the economy is going to fall apart.
Trying to sell America on a film that deals with a true story of the market collapse isn't the easiest thing to do and I must admit that I was shocked when THE BIG SHORT became a modest hit at the box office. I was even more shocked when I realized Adam McKay was the director behind this film but I was even more shocked at how wonderful he handled the material once the end credits started to roll. I mean, who thought that McKay would handle such a tricky story just like you'd expect Alfred Hitchcock, Martin Scorsese and Robert Altman?
I purposely used those three filmmakers to make my point. The Hitchcock connection comes from that director liking to let you know you're in danger and then he milks the suspense. THe same is done here as you know going into the movie that millions of Americans are going to lose their homes and their jobs so McKay lights the bomb at the start of the film and THE BIG SHORT just grows with tension leading up to the final collapse. The Altman connection is how McKay uses four different groups of people acting during the same period to build up to the conclusion. All four stories are all very interesting on their own and the director perfectly mixes them together and plays them well off of each other.
As for the Scorsese connection, there's a whole lot of creative style on display here and just look at the wonderful cinematography that pretty much throws you into the middle of these meetings and you almost feel as if you're listening and watching something that you're not supposed to be. The style also really shows off the various lifestyles and the wild nature of Wall Street. Scorsese had tackled the excess in THE WOLF OF WALL STREET, which would make a perfect double feature with this film. The score, the music selections and the dialogue just jump off the screen and perfectly create a world that most watching the film probably won't be a part of.
Of course, then there are the wonderful performances that bring these characters, the situations and the dialogue to life. Christian Bale, is there anything this guy can't do? He plays another weirdo here but is there anyone who does it better or more believable? Steve Carell plays perhaps the most troubled character here and the actor turns in the greatest performance of his career. Ryan Gosling's dry humor is perfect for the black comedy in the film and Brad Pitt is also extremely good even though he plays the most laid back character. Throw in Marisa Tomei, Melissa Leo, Rafe Spall, John Magaro and Finn Wittrock and you've got some of the best acting that you're going to see all year.
THE BIG SHORT left me a tad bit nervous the first ten minutes because I wasn't quite sure if it was going to be able to grab me and hold my attention throughout. After all, it's story is a confusing one that you have to keep up with but McKay does a marvelous job at using humor to get the more confusing parts across and it works perfectly. This is certainly a very intelligent film that gets its message across without having to scarifies the entertainment level. It's certainly a creative gem that actually works.
**** (out of 4)
Four different groups of people notice that something isn't quite right with the housing market and soon make a large wager that the economy is going to fall apart.
Trying to sell America on a film that deals with a true story of the market collapse isn't the easiest thing to do and I must admit that I was shocked when THE BIG SHORT became a modest hit at the box office. I was even more shocked when I realized Adam McKay was the director behind this film but I was even more shocked at how wonderful he handled the material once the end credits started to roll. I mean, who thought that McKay would handle such a tricky story just like you'd expect Alfred Hitchcock, Martin Scorsese and Robert Altman?
I purposely used those three filmmakers to make my point. The Hitchcock connection comes from that director liking to let you know you're in danger and then he milks the suspense. THe same is done here as you know going into the movie that millions of Americans are going to lose their homes and their jobs so McKay lights the bomb at the start of the film and THE BIG SHORT just grows with tension leading up to the final collapse. The Altman connection is how McKay uses four different groups of people acting during the same period to build up to the conclusion. All four stories are all very interesting on their own and the director perfectly mixes them together and plays them well off of each other.
As for the Scorsese connection, there's a whole lot of creative style on display here and just look at the wonderful cinematography that pretty much throws you into the middle of these meetings and you almost feel as if you're listening and watching something that you're not supposed to be. The style also really shows off the various lifestyles and the wild nature of Wall Street. Scorsese had tackled the excess in THE WOLF OF WALL STREET, which would make a perfect double feature with this film. The score, the music selections and the dialogue just jump off the screen and perfectly create a world that most watching the film probably won't be a part of.
Of course, then there are the wonderful performances that bring these characters, the situations and the dialogue to life. Christian Bale, is there anything this guy can't do? He plays another weirdo here but is there anyone who does it better or more believable? Steve Carell plays perhaps the most troubled character here and the actor turns in the greatest performance of his career. Ryan Gosling's dry humor is perfect for the black comedy in the film and Brad Pitt is also extremely good even though he plays the most laid back character. Throw in Marisa Tomei, Melissa Leo, Rafe Spall, John Magaro and Finn Wittrock and you've got some of the best acting that you're going to see all year.
THE BIG SHORT left me a tad bit nervous the first ten minutes because I wasn't quite sure if it was going to be able to grab me and hold my attention throughout. After all, it's story is a confusing one that you have to keep up with but McKay does a marvelous job at using humor to get the more confusing parts across and it works perfectly. This is certainly a very intelligent film that gets its message across without having to scarifies the entertainment level. It's certainly a creative gem that actually works.
Helpful•142
- Michael_Elliott
- Jan 30, 2016
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- La gran apuesta
- Filming locations
- New Orleans, Louisiana, USA(primarily the Algiers neighborhood)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $70,259,870
- Opening weekend US & Canada
- $705,527
- Dec 13, 2015
- Gross worldwide
- $133,440,870
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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