A year in the life of a upper-middle-class family's maid in Mexico City in the early 1970s.A year in the life of a upper-middle-class family's maid in Mexico City in the early 1970s.A year in the life of a upper-middle-class family's maid in Mexico City in the early 1970s.
- Won 3 Oscars
- 255 wins & 229 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
No masterpiece needs a campaign that costs 30 million to win best picture....
Beautifully shot. Impressive long takes as per with Cuarón. Very emotional later in the film, however slow start drags it down to an 8 in my opinion. Well worth a watch if your in the right mood.
This film starts as if in slow motion and very little seems to happen as we observe the mundane actions of a young woman. I did wonder if I was going to stay the course. Gradually the pace picks up and draws you in to the daily life of the young woman who we learn is the maid, and the life of the family she works for. The ups and downs of life are in this chaotic city are well conveyed with the ordinary and the dramatic side by side. Beautifully shot with every frame counting it has heart and soul and is very moving at times. If it has a weakness it is a lack of narrative drive, it is essentially anecdotal but gripping none the less if you allow yourself to be drawn into this world.
Full of life in every shot, Alfonso Cuaron has proven that he is one of the greatest directors of all time.
Deserved every nomination and it's going do dominate the Oscars for Sure.
I feel very similarly to Roma as I did to Dunkirk, though they are extraordinarily different films and subject matters. Both are made by directors I love, and both I appreciate the constant technical brilliance shown in each scene. Ultimately in both cases I was emotionally detached and thought it was a good movie but not at all a memorable one. There is no doubt that Roma leans entirely on Aparicio, and she knocks it out of the park. The subtlety to her acting and her body language and uses of silence are excellent. As is Cuaron's hallmark, the cinematography is excellent, and particularly the 360 pan with Cleo turning off the lights was well shot. The childbirth and ocean scenes were enrapturing and tense. The scene in the furniture store was my favorite of the movie - the intersection of the small private world we've seen with the family and the student protests outside was well shot and executed.
I can intellectually appreciate all the things Roma has to offer, and can understand why some think it's a masterpiece and the best of the year. If it emotionally connected with people and had them crying at the end, I just didn't have that experience. It's a very well done slice of life movie that focuses on appreciation for a maid who does everything for a family, and in going through her daily life we see other major events unfold. But despite consistently great acting and cinematography and several really good scenes, the vast majority of the movie varied from smart but detached filmmaking to mundane, every day life. Maybe the black and white and Spanish elements also contributed, but I just didn't particularly enjoy most of the individual scenes. Reflecting on it as a full piece and the motifs that we see throughout allow me to enjoy and appreciate it more, but while watching it I just wasn't invested. I'm glad most love it and think this is just me not connecting with the film, but while Roma is a technical marvel, it was just a fine story.
Director's Trademarks: The Films of Alfonso Cuarón
Director's Trademarks: The Films of Alfonso Cuarón
IMDb dives into the distinct trademarks of Alfonso Cuarón's directorial style to illustrate what Children of Men, Gravity, Y Tu Mamá También, and his latest, Roma, have in common.
Did you know
- TriviaMany were mystified by Alfonso Cuarón's decision to release this very cinematic film on Netflix. One of his primary reasons for doing this was because foreign language films do not usually get adequate distribution. By releasing it on Netflix, Alfonso Cuarón knew Roma (2018) would potentially play to its widest audience.
- GoofsReflection of a few members of the crew is visible during dolly shot as Cleo walks to the movie theater with the family.
- Crazy creditsThe closing credits end with "Shantih Shantih Shantih," the conclusion to every mantra in the Upanishads, a collection of 108 Hindu scriptures. "Shantih" was referenced several times in Alfonso Cuarón's earlier film, Children of Men (2006).
- ConnectionsFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
- How long is Roma?Powered by Alexa
- Why is it called Roma?
- Who's Para Libo shown in the last scene of the film?
- Which of the three boys represents Cuaron?
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Khu Phố Roma
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,140,769
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content
