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Harlem Shuffle: A Novel Audio CD – Unabridged, September 14, 2021
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home.
Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.
Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either.
Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the "Waldorf of Harlem"—and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes.
Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs?
Harlem Shuffle's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.
But mostly, it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.
Look for Colson Whitehead’s new novel, Crook Manifesto!
- LanguageEnglish
- PublisherRandom House Audio
- Publication dateSeptember 14, 2021
- Dimensions5.07 x 1.14 x 5.9 inches
- ISBN-100593455541
- ISBN-13978-0593455548
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Editorial Reviews
Review
“A rich, wild book that could pass for genre fiction. It’s much more, but the entertainment value alone should ensure it the same kind of popular success that greeted his last two novels, The Underground Railroad and The Nickel Boys."
—Janet Maslin, The New York Times
One of the Ten Best Books of 2021
—Laura Miller, Slate
“Colson Whitehead has a couple of Pulitzers under his belt, along with several other awards celebrating his outstanding novels. Harlem Shuffle is a suspenseful crime thriller that's sure to add to the tally — it's a fabulous novel you must read.”
—NPR.org
“A warm, involving novel”
—The Wall Street Journal
“A a fiendishly clever romp, a heist novel that’s also a morality play about respectability politics, a family comedy disguised as a noir…Harlem Shuffle reads like a book whose author had enormous fun writing it. The dialogue crackles and sparks; the zippy heist plot twists itself in one showy misdirection after another. Most impressive of all is lovable family-man Ray, whose relentless ambition drives the plot forward while his glib salesman’s patter keeps you guessing about his true intentions. This book is a blast that will make you think, and what could be better than that?”
—Vox
“Another triumph from Pulitzer winner Whitehead”
—People Magazine
“Fast-paced, keen-eyed and very funny, “Harlem Shuffle” is a novel about race, power and the history of Harlem all disguised as a thrill-ride crime novel.”
—San Francisco Chronicle
“Enthralling, cinematic…Whitehead's evocation of early 1960s Harlem — strewn with double-crosses and double standards, broken glass and broken dreams — is irresistible…a valentine to a time and place.”
—Minneapolis Star-Tribune
“Dazzling…exciting and wise.”
—Walton Muyumba, The Boston Globe
“A spectacularly pleasurable read, and while it is, of course, literary, it’s also a pure, unapologetic crime-fiction page-turner.”
—Los Angeles Times
“Harlem Shuffle is a wildly entertaining romp. But as you might expect with this two-time Pulitzer Prize winner and MacArthur genius, Whitehead also delivers a devastating, historically grounded indictment of the separate and unequal lives of Blacks and whites in mid-20th century New York."
—Associated Press
“An American master”
—New York Times Book Review
“Two-time Pulitzer winner Whitehead (The Nickel Boys) returns with a sizzling heist novel set in civil rights–era Harlem. It’s 1959 and Ray Carney has built an ‘unlikely kingdom’ selling used furniture. A husband, a father, and the son of a man who once worked as muscle for a local crime boss, Carney is ‘only slightly bent when it [comes] to being crooked.’ But when his cousin Freddie—whose stolen goods Carney occasionally fences through his furniture store—decides to rob the historic Hotel Theresa, a lethal cast of underworld figures enter Carney’s life, among them the mobster Chink Montague, “known for his facility with a straight razor”; WWII veteran Pepper; and the murderous, purple-suited Miami Joe, Whitehead’s answer to No Country for Old Men’s Anton Chigurh. These and other characters force Carney to decide just how bent he wants to be. It’s a superlative story, but the most impressive achievement is Whitehead’s loving depiction of a Harlem 60 years gone—‘that rustling, keening thing of people and concrete’—which lands as detailed and vivid as Joyce’s Dublin. Don’t be surprised if this one wins Whitehead another major award.”
—Publishers Weekly, Starred Review
“Whitehead adds another genre to an ever-diversifying portfolio with his first crime novel, and it's a corker. Ray Carney owns a furniture store in Harlem. When the novel begins in 1959, he's selling mostly used furniture, struggling to escape the legacy of his criminal father. ‘Living taught you,’ Ray believes, ‘that you didn't have to live the way you'd been taught.’ Almost. Ray's ne'erdo-well cousin, Freddie, who's been luring Ray into hot water since childhood (‘I didn't mean to get you in trouble,’ is Freddie's constant refrain) regularly brings Ray the odd piece of jewelry, provenance unknown, which Ray peddles to a dealer downtown, building a stake to invest in his business. ‘There was a natural flow of goods in and out and through people's lives . . . a churn of property, and Ray facilitated that churn.’ It works until Freddie suggests Ray as a fence for a jewel heist at the Hotel Theresa (‘the Waldorf of Harlem’), and suddenly the churn produces a potentially disastrous backwash. Following Ray as his business grows and he delicately balances the crooked and straight sides of his life, Whitehead delivers a portrait of Harlem in the early ’60s, culminating with the Harlem Riot of 1964, that is brushed with lovingly etched detail and features a wonderful panoply of characters who spring to full-bodied life, blending joy, humor, and tragedy. A triumph on every level.”
—Booklist, Starred Review
About the Author
Colson Whitehead is available for select speaking engagements. To inquire about a possible appearance, please contact Penguin Random House Speakers Bureau at speakers@ penguinrandomhouse.com or visitwww.prhspeakers.com.
Dion Graham, from HBO’s The Wire, also narrates The First 48 on A&E. A multiple Audie Award–winning and critically acclaimed actor and narrator, he has performed on Broadway, off Broadway, internationally, in films, and in several hit television series.
Excerpt. © Reprinted by permission. All rights reserved.
His cousin Freddie brought him on the heist one hot night in early June. Ray Carney was having one of his run-around days—uptown, downtown, zipping across the city. Keeping the machine humming. First up was Radio Row, to unload the final three consoles, two RCAs and a Magnavox, and pick up the TV he left. He’d given up on the radios, hadn’t sold one in a year and a half no matter how much he marked them down and begged. Now they took up space in the basement that he needed for the new recliners coming in from Argent next week and whatever he picked up from the dead lady’s apartment that afternoon. The radios were top-of-the-line three years ago; now padded blankets hid their slick mahogany cabinets, fastened by leather straps to the truck bed. The pickup bounced in the unholy rut of the West Side Highway.
Just that morning there was another article in the Tribune about the city tearing down the elevated highway. Narrow and indifferently cobblestoned, the road was a botch from the start. On the best days it was bumper-to-bumper, a bitter argument of honks and curses, and on rainy days the potholes were treacherous lagoons, one grim slosh. Last week a customer wandered into the store with his head wrapped like a mummy—beaned by a chunk of falling balustrade while walking under the damn thing. Said he was going to sue. Carney said, “You’re in your rights.” Around Twenty-Third Street the pickup’s wheels bit into a crater and he thought one of the RCAs was going to launch from the bed into the Hudson River. He was relieved when he was able to sneak off at Duane Street without incident.
Carney’s man on Radio Row was halfway down Cortlandt, off Greenwich, right in the thick. He got a space outside Samuel’s Amazing Radio—repair all makes—and went to check that Aronowitz was in. Twice in the last year he’d come all the way down to find the shop shut in the middle of the day.
A few years ago, walking past the crammed storefronts was like twirling a radio dial—this store blared jazz into the street out of horn loudspeakers, the next store German symphonies, then ragtime, and so on. S & S Electronics, Landy’s Top Notch, Steinway the Radio King. Now he was more likely to hear rock and roll, in a desperate lure of the teenage scene, and to find the windows crammed with television sets, the latest wonders from DuMont and Motorola and the rest. Consoles in blond hardwood, the sleek new portable lines, and three-in-one hi-fi combos with picture tube, tuner, and turntable in the same cabinet, smart. What hadn’t changed was Carney’s meandering sidewalk route around the massive bins and buckets of vacuum tubes, audio transformers, and condensers that drew in tinkerers from all over the tri-state. Any part you need, all makes, all models, reasonable prices.
There was a hole in the air where the Ninth Avenue el used to run. That disappeared thing. His father had taken him here once or twice on one of his mysterious errands, when he was little. Carney still thought he heard the train sometimes, rumbling behind the music and haggling of the street.
Aronowitz hunched over the glass counter, with a loupe screwed into his eye socket, poking one of his gizmos. “Mr. Carney.” He coughed.
There weren’t many white men who called him mister. Downtown, anyway. The first time Carney came to the Row on business, the white clerks pretended not to see him, attending to hobbyists who came in after him. He cleared his throat, he gestured, and remained a black ghost, store after store, accumulating the standard humiliations, until he climbed the black iron steps to Aronowitz & Sons and the proprietor asked, “Can I help you, sir?” Can I help you as in Can I help you? As opposed to What are you doing here? Ray Carney, in his years, had a handle on the variations.
That first day, Carney told him he had a radio in need of repair; he had just picked up his sideline in gently used appliances. Aronowitz cut him off when he tried to explain the problem and got to work unscrewing the case. Carney didn’t waste his breath on subsequent visits, merely set the radios before the maestro and let him have his way with it. The routine went: weary sighs and grunts as he surveyed the problem, with a jab and flash of silver implements. His Diagnometer tested fuses, resistors; he calibrated voltage, rummaged through unlabeled trays in the steel filing cabinets along the walls of the gloomy shop. If something big was afoot, Aronowitz twirled in his chair and scurried into the workshop in the back, to more grunts. He reminded Carney of a squirrel in the park, darting helter-skelter after lost nuts. Maybe the other squirrels of Radio Row understood this behavior, but it was animal madness to this civilian.
Often Carney went down the street for a ham and cheese to let the man work in peace.
Aronowitz never failed to make the fix, find the part. The new technology vexed the old man, however, and he usually had Carney return the next day for TV sets, or the next week once the new picture tube or valve arrived. Refusing to shame himself by walking down the block to hit up a competitor. That’s how Carney ended up there that morning. He’d dropped off the twenty-one-inch Philco last week. If he was lucky, the old man would take the radios off his hands.
Carney carried one of the big RCAs into the shop and went back for the next. “I’d have the boy help you,” Aronowitz said, “but I had to cut back on his hours.”
The boy Jacob, a surly, pockmarked teenager from a Ludlow Street rookery, hadn’t worked there for more than a year as far as Carney could tell. The “& Sons” on the sign had ever been aspirational—Aronowitz’s wife had moved back to Jersey to live with her sister long ago—but bluster and bravado were a motif for Radio Row establishments. Top of the City, House of Values, Cannot Be Beaten. Decades before, the electronics boom made the neighborhood into a theater for immigrant ambition. Hang a shingle, deliver your pitch, and climb out of the tenement stew. If things go well, you open a second location, expand into the failed shop next door. Pass the business on to your sons and retire to one of the new Long Island suburbs. If things go well.
Carney thought Aronowitz should drop the Sons thing and go for something more hip: Atomic TV & Radio, Jet Age Electronics. But that’d be a reversal of their relationship, as it was Aronowitz who delivered the advice at this address, one entrepreneur to another, generally of the “physician, heal thyself” variety. Carney didn’t need the old man’s tips on accounting practices and merchandise placement. His business degree from Queens College hung in his office next to a signed photograph of Lena Horne.
Carney got the three radios inside. Sidewalk traffic on the Row wasn’t what it used to be.
“No, they’re not broken,” Carney said as Aronowitz unfurled his roll of instruments. The roll was green felt, with slots. “I thought you’d want them, maybe.”
“Nothing wrong with them?” Like something that worked okay was an alien proposition.
“I figured I was coming down to pick up the TV, I’d see if you were interested.” On the one hand, why would a radio man need a radio, but on the other, every businessman had a sideline. He knew this to be true of Aronowitz. “Strip them for parts or something?”
Aronowitz’s shoulders dropped. “Parts. I sure don’t have customers, Mr. Carney, but I have parts.”
“You have me, Aronowitz.”
“I have you, Mr. Carney. And you are very reliable.” He asked after Carney’s wife and daughter. A baby on the way? Mazel tov. He ran a thumb down his black suspenders and considered. Dust squirmed in the light. “I know a guy in Camden,” Aronowitz said, “he specializes. Likes RCAs. Maybe he’s interested. Or he isn’t. You leave them, next time you come in, I’ll tell you how it went.” There was the matter of the Magnavox. Walnut cabinet, eighteen-inch woofer, Collaro changer. And top-of-the-line three years ago. “Leave that, too, we’ll see.”
The old man had always been droopy in the face, a jowl overall with saggy lobes and eyelids, and droopy in his wretched posture. As if when he bent over the machines all those hours they were sucking him into themselves. The downward pull had accelerated recently, his submission to the facts of his life. The merchandise had changed, the clientele transformed into new beings, and aspiration wasn’t all it was cracked up to be. But he had a few diversions to keep him busy, these twilight days.
“I have your TV,” he said. He coughed into a faded yellow handkerchief. Carney followed him into the back.
The name of the store—stark letters in gold paint on the shop window—promised one thing, the shabby front office another, and this room delivered a third thing that was entirely spiritual. The atmosphere was different, murky yet reverential, the Radio Row hubbub hushed. Disassembled receivers, picture tubes in various sizes, guts of machines lay on cluttered metal shelves. In the center of the room, the worktable was spotlit where a blank space in the scarred wood waited for the next patient, tools and boxy measuring instruments arranged neatly around it. Fifty years ago, most of the stuff in the room hadn’t existed, was half a notion scurrying at the edge of an inventor’s imagination—and suddenly there were rooms like this, where men maintained its secrets.
Until the next thing came along.
There was a collapsible army cot where the boy’s desk used to be, a plaid wool blanket curled in an S on top. Had he been sleeping there? As the radio man led him, Carney saw that he’d lost still more weight. He thought about asking after his health, but didn’t.
Aronowitz kept a dusty display of transistor radios by the front door, but in the back items moved in more constant exchange. Carney’s Philco 4242 sat on the floor. Freddie had steered it into Carney’s store on a creaky dolly, swore it was in “A-1 condition.” Some days Carney felt the need to press his cousin on a lie until it broke and some days his love was such that the slightest quiver of mistrust made him ashamed. When he’d plugged in the TV and turned it on, his reward was a white dot in the middle of the tube and a petulant hum. He didn’t ask where Freddie got it. He never asked. The TVs moved quickly out of the gently used section when Carney priced them right.
“Still in the box,” Carney said.
“What? Oh, those.”
There was a stack of four Silvertone TVs by the bathroom door, blond-wood Lowboy Consoles, all-channel. Sears manufactured them, and Carney’s customers revered Sears from childhood, when their parents ordered from catalogs because the white men in their Southern towns wouldn’t sell to them, or jacked up the prices.
“A man brought those by yesterday,” Aronowitz said. “I was told they fell off a truck.”
“Boxes look fine.”
“A very short fall, then.”
A hundred and eighty-nine retail, let’s say another twenty with the Harlem tax from a white store; overcharging was not limited to south of the Mason-Dixon. Carney said, “I could probably sell one to a customer in the market.” A hundred fifty on installments, they’d sprout feet and march out the door singing “The Star-Spangled Banner.”
“I can part with two. I’ll throw in the work on the Philco. It was just a loose lead.”
They did a deal for the TVs. On his way out the door, Aronowitz asked, “Can you help me bring your radios into the back? I like to keep the front presentable.”
Uptown Carney took Ninth Avenue, not trusting the highway with his new TVs. Down three radios, up three sets—not a bad start to the day. He had Rusty unload the TVs into the store and drove up to the dead lady’s house, 141st Street. Lunch was two hot dogs and a coffee at Chock Full o’Nuts.
***
3461 Broadway had a busted elevator. The sign had been up for a while. Carney counted the steps to the fourth floor. If he bought something and lugged it out to the truck, he liked to know how many steps to curse on the way down. On the second floor, someone was boiling pigs’ feet and on the third, old socks from the smell of it. This had the feel of a wasted trip.
The daughter, Ruby Brown, let him in. The tenement had settled, and as she opened the door to 4G, it scraped the floor.
“Raymond,” she said.
He couldn’t place her.
“We were at Carver together, I was a few years behind you.”
He nodded as if he remembered. “I’m sorry about your loss.”
She thanked him and glanced down for a moment. “I came up to take care of things and Timmy James told me to call you.”
Didn’t know who he was, either. When he first got the pickup and started lending it out, and then buying furniture, he knew everyone. Now he’d been in business long enough that word had spread outside his old circle.
Ruby flicked on the hall light. They passed the galley kitchen and the two bedrooms off the hall. The walls were scuffed, gouged to plaster in spots—the Browns had lived there a long time. A wasted trip. In general when he got a furniture call, people had strange ideas about what he was looking for. Like he’d take any old thing, the saggy couch with springs poking out nappily, the recliner with sweated-into arms. He wasn’t the junkman. The good finds were worth it, but he wasted too much time on false leads. If Rusty’d had any sense or taste, Carney could send his assistant on these missions, but he didn’t have sense or taste. Come back with something that looked like raccoons nested in the horsehair stuffing.
Carney was wrong this time. The bright front room overlooked Broadway and the sound of an ambulance snuck in through the window. The dinette set in the corner was from the ’30s, chipped and discolored, and the faded oval rug revealed traffic patterns, but the sofa and armchair were in factory condition. Heywood-Wakefield with that champagne finish everybody liked now. And sheathed in transparent vinyl slipcovers.
“I live in D.C. now,” Ruby said. “I work in a hospital. But I’d been telling my mother to get rid of the couch for years, it was so old. Two months ago I bought these for her.”
“D.C.?” he said. He unzipped the plastic.
“I like it there. There’s less of that, you know?” She gestured toward the Broadway chaos below.
“Sure.” He ran his hand over the green velvet upholstery: pristine. “It’s from Mr. Harold’s?” She hadn’t bought the sofa from him, and Blumstein’s didn’t carry the line, so it had to be Mr. Harold’s.
“Yes.”
“Took good care of them,” Carney said.
Product details
- Publisher : Random House Audio
- Publication date : September 14, 2021
- Edition : Unabridged
- Language : English
- ISBN-10 : 0593455541
- ISBN-13 : 978-0593455548
- Dimensions : 5.07 x 1.14 x 5.9 inches
- Best Sellers Rank: #3,458,964 in Books (See Top 100 in Books)
- #288 in Science Fiction Crime & Mystery
- #1,186 in Literary Fiction (Books)
- #2,669 in City Life Fiction (Books)
- Customer Reviews:
About the author

Colson Whitehead is the author eight novels and two works on non-fiction, including The Underground Railroad, which received the Pulitzer Prize, the National Book Award, the Carnegie Medal, the Heartland Prize, the Arthur C. Clarke Award, the Hurston-Wright Award, and was longlisted for the Booker Prize. The novel is being adapted by Barry Jenkins into a TV series for Amazon. Whitehead’s The Nickel Boys received the Pulitzer Prize, The Kirkus Prize, and the Orwell Prize for Political Fiction.
A recipient of a Whiting Writers' Award, a Guggenheim Fellowship, and a MacArthur Fellowship, he lives in New York City.
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the novel's storytelling and writing style, noting how the language reflects the time and place. The characters are interesting, and the book provides a rich sense of Harlem, with one review highlighting its evocative descriptions of place. Customers find the book evocative, with one review noting its accurate depiction of the Black experience. The pacing receives mixed reactions, with some finding it fast-paced while others describe it as slow-moving.
AI-generated from the text of customer reviews
Customers praise the novel's storytelling and find it engaging, with one customer noting how vividly it is chronicled.
"...Such a great storyteller, I imagined a tale told in the fashion of the late, great Chester Himes, the man who gave us “Cotton Comes To Harlem” “Come..." Read more
"...The characters in the book are realistic and how their stories happen make this book. Highly recommend it." Read more
"Easily one of the best books I ever read- I reread it every couple of years" Read more
"...the world he lives in that are the core of this wonderfully written, compelling, and educational novel." Read more
Customers praise the writing quality of the book, describing it as excellent and beautifully told, with rich language that reflects the time and place.
"...This is not what I expected, but is intensely readable nonetheless...." Read more
"Great books with great writing and a story that grows and twists and turns until it ends...." Read more
"James McBride is a better author. I suggest one of his books instead if you are looking for a book by an author of color." Read more
"...observations of the world he lives in that are the core of this wonderfully written, compelling, and educational novel." Read more
Customers enjoy the characters in the book, finding them colorful and interesting, with one customer noting how the city and its inhabitants are vividly portrayed.
"...The characters in the book are realistic and how their stories happen make this book. Highly recommend it." Read more
"...Both of these are very good novels filled with great characters and powerful moments; however, I wouldn’t rank them among the great novels...." Read more
"...in the early sixties, but found the story disjointed, some of the details distracting, and none of the characters fully believable." Read more
"...you into Harlem of the 50's and 60's, providing a wonderful.compilation of.characters...." Read more
Customers appreciate the book's evocative descriptions, with one customer noting its richly detailed photographs of Harlem, while others praise its subtle and nuanced approach to storytelling.
"So vivid and lush, what a joy to immerse yourself in 1960's Harlem down to minute detail...." Read more
"This a novel well worth reading. It gives the reader a microscopic look into a place many know about but few have truly seen; Harlem 1957 - early 60..." Read more
"...And all of this is set in a vividly recreated Harlem...." Read more
"...brings Harlem (and, by extension, New York City) to life with excellent realism and with a great cast of characters lead by Ray Carney, a..." Read more
Customers find the book evocative, giving a rich sense of Harlem with poignant moments, and one customer notes how it provides important insight into the Black experience.
"...The businesses in the neighborhood. How they interacted. What you did to make ends meet while justifying what you did." Read more
"...with historical (period elements) of pop culture and the development of the city - all of which create an environment for an intriguing story...." Read more
"...violence was hard to read but the book had plenty of humor and poignant moments. I will recommend this heartily." Read more
"Deep dive into life for blacks during the 60’s. A lot of focus on the planning and violence of criminal life. Not too deep on relationships...." Read more
Customers appreciate the book's style, noting its evocation of Harlem's savage beauty and colorful atmosphere, with one customer highlighting how the ambiance is crucial to the storytelling.
"So vivid and lush, what a joy to immerse yourself in 1960's Harlem down to minute detail...." Read more
"...and social politics, crime and punishment, architecture, to fads in furniture design, was a bonus, because it’s a much more enjoyable path toward..." Read more
"...A high work of art from a real American voice. Thank your Mr. Whitehead." Read more
"...-for anyone who knows and loves it this book will be an evocation of its savage beauty." Read more
Customers find the book highly readable, with one describing it as a page-turner and another mentioning it's great for a cold weekend read.
"Sometimes hard to follow but easier later in book to stay engaged. The overall plot was curious as I am a NYer, born of Harlemites." Read more
"It's a page turner for sure! I simply love the style and intelligence of the writer. This book takes me to a world I knew nothing about...." Read more
"This story is a page turner. Great for a cold weekend read. The main character leads a double life, successful at both...." Read more
"...the middle of this book fell flat for me and I had a difficult time staying engaged with it. That said, the writing is quite good...." Read more
Customers have mixed opinions about the pacing of the book, with some finding it fast-paced while others describe it as pretty slow moving.
"...If you just want a fast-paced light read, you're looking in the wrong place...." Read more
"It could have been a good book. It moved too slow and even when there was"action" it was in slow motion." Read more
"Very well developed characters. Fast paced action and a good story...." Read more
"An enjoyable and fast paced read...." Read more
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Highly Atmospheric, Transportive and Entertaining
Top reviews from the United States
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- Reviewed in the United States on May 20, 2025So vivid and lush, what a joy to immerse yourself in 1960's Harlem down to minute detail. Vastly improved a period of illness and I'm grateful for that.
- Reviewed in the United States on September 19, 2021When I read Colson Whitehead was writing a heist novel, I was thrilled. Such a great storyteller, I imagined a tale told in the fashion of the late, great Chester Himes, the man who gave us “Cotton Comes To Harlem” “Come Back, Charleston Blue” and “A Rage In Harlem”, books I’d devoured as a teen. But I was also a great fan of Dick Gregory, who did not write heist novels. Gregory wrote passionate tracts on the belittling and desecration of his people, the people of Harlem, and Detroit and Chicago, and of every black community in America. With “Harlem Shuffle”, Mr. Whitehead has not written a Chester Himes heist caper, but instead, a not-so-nostalgic look back at the Harlem of the early sixties as though Dick Gregory wrote a heist novel, and in doing so, has devised a story that looks to be a heist novel, but is instead, an amalgam of Himes, Gregory, with hints of Richard Wright and Lorraine Hansberry mixed in for flavor. This is not what I expected, but is intensely readable nonetheless.
It’s a story of furniture salesman and part-time fence Ray Carney. Carney has a beautiful wife, children, in-laws he despises for all the right reasons, and a successful uptown business. The fact that he mixes with small-times hoods and the neighborhood low-lifes doesn’t make him any less of a man, it just means he’s attracted to the local color. His associations do make for some unlawful capers and some dirty business along the way, though, as this story covers about 5 years from 1959 to 1964. Real-life events like the Harlem riots, which erupted over the shooting of a young black man by a white cop enrich the story as it goes along. Dirty politicians, crooked bankers, and double dealing relatives figure in as well.
But this is not a heist novel in the classic sense. It is social commentary, some of it sweet, some of it bitter, but all of it authentic and painfully funny at the same time. This is the thinking man’s heist novel, where the score isn’t stolen goods, but instead, stolen lives.
- Reviewed in the United States on March 30, 2025Great books with great writing and a story that grows and twists and turns until it ends. The characters in the book are realistic and how their stories happen make this book. Highly recommend it.
- Reviewed in the United States on March 23, 2025James McBride is a better author. I suggest one of his books instead if you are looking for a book by an author of color.
- Reviewed in the United States on April 11, 2025Easily one of the best books I ever read- I reread it every couple of years
- Reviewed in the United States on August 28, 2022This a novel well worth reading. It gives the reader a microscopic look into a place many know about but few have truly seen; Harlem 1957 - early 60’s. This historical view is provided mainly through the eyes Ray Carney a upstanding owner of a furniture store on 125th street. We see the life and struggles of Harlem and it’s residents. Carney is a person with with two sides to his character. There is an almost perversely forbidden hilarity in the absurdity of some of the characters and incidents. If you’ve read my reviews, you know I don’t like to give away details of the plot. The Amazon summary does a good job with that. But what can be said is that Carney takes us along through the good/ bad characteristics of his nature as he gains success in life and the furniture business. He and his cousin Freddie who grew up together like brothers in the same house are a complex relationship of both loyalty and disgust. Freddie’s refrain “I didn’t mean to get you in trouble” repeated so many times in Carney’s life should be a clue to the “situations“ Carney finds himself in. It is through these ‘Situations” and his observations of the world he lives in that are the core of this wonderfully written, compelling, and educational novel.
- Reviewed in the United States on February 21, 2022Before this, I’d read two novels by Mr. Whitehead: Nickel Boys and The Underground Railroad. Both of these are very good novels filled with great characters and powerful moments; however, I wouldn’t rank them among the great novels. My main complaint with both is weaknesses in plotting. In essence, the author gets in the way of the story. What he is trying to accomplish in these novels interferes with good storytelling.
I know a number of readers who enjoyed this novel less than the other two I’ve mentioned. Perhaps they missed the excesses that make episodes of those books so memorable. I, on the other hand, find this to be the best novel Mr. Whitehead has written so far. Other than having to hear Mick Jagger’s brassy voice in my head every time I think of the title of this novel thanks to the Stones’ song of the same name, I have few complaints about this novel and much praise. It is simply a well-told story without anything getting in the way of that.
The novel takes place over a handful of years in the late fifties/early sixties. Mr. Whitehead is an absolute master of character which makes it no surprise that Carney, our protagonist, is full of depths. Son of a violent crook, he makes most of his living as an honest owner of a furniture store; however, petty crime and graft is a part of his world and, as the plot develops, he gets dragged deeper into the game. His foot in the middle class gives him aspirations and access to successful people (and their pretentions and crimes) while still muddling with thieves and murderers, and the reader gets to see it all, a panorama of supporting characters who are as real and memorable as Carney himself. And all of this is set in a vividly recreated Harlem.
Every time I read another of Mr. Whitehead’s novels, I become more and more impressed with his skills as a writer. This is the first time, however, that I’ve felt story and characters trumped his need to slam the reader with his prose. There are still plenty of shocks and surprises here, but it all seems to come much more realistically from the characters and the situations in which they find themselves. In my mind, this book is a real triumph.
Top reviews from other countries
- Steve baileyReviewed in the United Kingdom on July 21, 2024
5.0 out of 5 stars Character driven historical crime fiction
This brilliant episodic novel (three linked long stories covering 1959, 1961 and 1964) revolves around Ray Carney as the central character. He's a black businessman in Harlem, owning a furniture store and raising his two young children whilst happily married. Carney's late father was a notorious street criminal and his cousin Freddie's also on the fringes of criminality, so Carney's illegal sideline as a fence for stolen goods is believably incorporated into the narrative. The book acts as a kind of 'alt history' of the U.S, from the perspective of a marginalised community, in the same way that Walter Mosley's first four Easy Rawlins novels managed (before he gave up on any quality control and started churning out inferior books in that series). The book is also fluently written, literary crime fiction of the highest quality. I fully intend to read 'Crooks' Manifesto' the follow up about Carney's 1970's experiences, as well as checking out some of Whitehead's other books. Highly recommended.
- Neha BiswasReviewed in India on February 19, 2024
4.0 out of 5 stars not interesting
didnt like it the story is so basic although the quality and every thing was good
- CFReviewed in Germany on November 8, 2024
5.0 out of 5 stars Super
Toll
- Uwe DulleckReviewed in Australia on August 24, 2023
5.0 out of 5 stars A little lighter than the other books of Colson Whitehead
It's almost a crime / detective novel (written from the perspective small time crook) in New York over the 50s and 60s. Enjoyable, and another great read to understand the human condition a little better.
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Client d'AmazonReviewed in France on August 20, 2023
5.0 out of 5 stars J’ai adoré
Franchement, j’ai trouvé ce livre génial. L’ambiance y est décrite comme si on y était. J’ai beaucoup aimé le ton utilisé pour écrire l’histoire entre humour noir et fausse sagesse. L’histoire d’un homme propre aux mains sales, mais tout dans la dignité ! Je devrais dire les histoires, car ce livre est écrit en plusieurs sketchs mais avec les mêmes personnages. Du moins ceux qui restent….À découvrir !