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The Shock of the New: The Hundred-Year History of Modern Art--Its Rise, Its Dazzling Achievement, Its Fall Paperback – August 13, 1991
Purchase options and add-ons
- Print length448 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateAugust 13, 1991
- Dimensions8 x 1.2 x 10.9 inches
- ISBN-100679728767
- ISBN-13978-0679728764
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Product details
- Publisher : Knopf
- Publication date : August 13, 1991
- Edition : Revised, Subsequent
- Language : English
- Print length : 448 pages
- ISBN-10 : 0679728767
- ISBN-13 : 978-0679728764
- Item Weight : 3 pounds
- Dimensions : 8 x 1.2 x 10.9 inches
- Best Sellers Rank: #1,066,602 in Books (See Top 100 in Books)
- #118 in Art Encyclopedias
- #346 in Art History (Books)
- #385 in Arts & Photography Criticism
- Customer Reviews:
About the author

Robert Hughes was born in Australia in 1938 and has lived in Europe and the United States since 1964. Since 1970 he has worked in New York as an art critic for Time Magazine. He has twice received the Franklin Jeweer Mather Award for Distinguished Criticism from the College Art Association of America.
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Customers find this art history book provides a good understanding of modern art and is particularly valuable for art history classes. They appreciate the writing style, with one customer noting how the author effectively follows the sinuous path of modern art. The book receives positive feedback for its readability and authoritative approach. However, some customers express concerns about the reading pace.
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Customers find this book to be an outstanding art history book that provides a good understanding of modern art and is invaluable for art history classes. They appreciate its original insights and sophisticated approach.
"...This is a brutally honest appraisal of modern art, where it has come from, and what happens now that it seems to have died a convoluted death...." Read more
"...My opinion so far? Very interesting views on art and art history, exceptioanally interesting explanations of cause-effect , nicely narrated..." Read more
"...of art has been destroyed and usurped by mass production, art remains avant garde, continues to push the social enevelope, and does what art should..." Read more
"...‘Shock of the New’ is organized in eight chapters that connect art movements with politics, technology, social and cultural change...." Read more
Customers find the book to be an enjoyable and interesting read.
"...the influence of science, technology and events on art was lucid and brilliant, and gave me a much deeper and profound understanding of both broader..." Read more
"...It is very easy to understand for the average reader, and a great resource for anyone wanting to know more about modern art. I highly recommend it." Read more
"Excellent read!..." Read more
"...The book itself is certainly interesting and if you can get it for cheap it's worth a buy and worth a read...." Read more
Customers appreciate the writing style of the book, describing it as great and comprehensible, with one customer noting how the author effectively follows the sinuous path of modern art.
"...The author effectively follows the sinuous path of modern art, including its impact on thinking in the arts and society...." Read more
"...exceptioanally interesting explanations of cause-effect , nicely narrated ( sophisticated yet comprehensible) , not to mention the quality of..." Read more
"...It is very easy to understand for the average reader, and a great resource for anyone wanting to know more about modern art. I highly recommend it." Read more
"I love the way Robert Hughes wrote...." Read more
Customers find the book authoritative, with one describing it as a brilliant teaching resource.
"...Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most..." Read more
"...book doubles as a philosophical glimpse into how art can be a brilliant teacher and guide into the mystical aspects of existence...." Read more
"An authoritative book that I will dip in and out of. Something to consult occasionally rather than to read through. Just what I wanted." Read more
"...It gave me a new perspective on the evolution of modern art. A good for any student, teacher, hobbyist, or just someone interested in art." Read more
Customers find the book's reading pace unsatisfactory, with one mentioning it makes the reader more confused.
"...My issue is the book itself. It fails to be engaging and does not explain things clearly...." Read more
"Pages of art illustrations missing. In below average conditiom" Read more
"Nonsense. Not wroth the reading." Read more
Top reviews from the United States
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- Reviewed in the United States on October 3, 2018Format: KindleVerified PurchaseThe Shock Of The New, by Robert Hughes, is an overview of modern art, starting with the impressionist and continuing to the late 1980s. This is perhaps the most intellectually stimulating book I have ever read. The author effectively follows the sinuous path of modern art, including its impact on thinking in the arts and society.
What captured my attention was Hughes’ exceptional contention, for an art critic, that “… (in)the time of our grandfathers and great-grandfathers, the visual arts had a kind of social importance they can no longer claim today”. (Hughes, Robert. The Shock of the New (Kindle Locations 110-111). Knopf Doubleday Publishing Group. Kindle Edition.)
For an art critic to say that the importance of art has diminished since 1870 is astonishing in itself. I began to believe that Robert Hughes would deliver an honest appraisal of modern art while explaining what was going on at the same time. Mr. Hughes came through with flying colors. This is a brutally honest appraisal of modern art, where it has come from, and what happens now that it seems to have died a convoluted death.
“What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained…” (Kindle Locations 117-119).
Mr. Hughes correctly observes that the most important event in the history of modern art was World War I, the first industrial war in history. Masses of men were thrown against defenses that were all but impossible to breach. As offensive after offensive died on the Western Front the generals and politicians lied about what was going on. It was this unmitigated slaughter coupled with the lies of governments that incited modern art after WWI.
Impressionism was part of the triumph of middle-class society. First showing in 1874 it caused a major upheaval in art and French society, and became the most popular of all art movements. Note this was pre-WWI. “An Impressionist ‘view’ was the essence of realism: it represented one thing at a given moment in time.” And “the chaos of the ‘view’ must be made to reflect order, structure, and system.” After WWI this ‘view’ of a world with structure and order was gone.
Modern art obviously includes architecture, and the author does a masterful job of showing the reader how modern architecture fits into modern art.
In his final chapters the author describes the death of the avant-garde in the 1970s, crushed by media driven art. The 1970s, says the author, was the decade that modernism became the official culture of America and Europe. But, it became clear that painting and sculpture would not be the primary forms of social speech after the rise of the mass market. The modernist condemned themselves to a self-deception about the limits of art. Mr. Hughes points out that in fact the world changes itself, but the artist cannot claim to have caused the change. Thus, the death of the avant-garde.
Mr. Hughes contends money impacted modern art after the fall of the Soviet Union and the rise of the international super-rich who could pay enormous amounts of money for art. This created the largest art market boom in history, but did not result in an increase in artistic quality. Modernism failed to provide radically new forms to emote new feelings. The new lax thought processes weakened the ideal of mastery and thereby damaged modern art forms.
The author’s descriptions of various art movements and artist are excellent. My only complaint was the narrative was choppy. I could not follow which art movement he was discussing as he jumped between eras and artists very quickly. Also, the pictures being discussed are often nowhere near the page the text is on, but this is probably a fault of the electronic book and not the author.
- Reviewed in the United States on August 6, 2016Format: PaperbackVerified PurchaseI found the second chapter of this book on Internet and I ordered all the books written by Robert Hugues. Because I do not live in USA, they were re-mailed to me to Romania. I just got them Friday. Actually I am translating this particular one into Romanian. I am up to chapter 3 "The Landscape of Plaesure". My opinion so far? Very interesting views on art and art history, exceptioanally interesting explanations of cause-effect , nicely narrated ( sophisticated yet comprehensible) , not to mention the quality of printing and of reproductions. One regret, I spent my yoouth in a communist country! Thank you all for this book!
- Reviewed in the United States on August 5, 2009Following an afternoon at our Modern Art Museum, I picked up Robert Hughes' _Shock of the New_. Based off his 8 part BBC series of the same name, Hughes chronicles the history of modern art from the Impressionists to the Op and Pop art movements of the late 1960s. A former art critic for the New York Times, Hughes has an encyclopedic knowledge of modern art. His explaination of the influence of science, technology and events on art was lucid and brilliant, and gave me a much deeper and profound understanding of both broader artistic movements, but also individual artists and pieces. I was particularly pleased at being introduced to new artists: Bonnard, Boccioni, Kirchner, Stella and Hamilton.
As critic, Hughes can be a bit sharp-tongued. An excerpt from the chapter on modern architecture: "Brasilia ... is an expansive and ugly testimony to the fact that when men think in terms of abstract space rather than real space ... they tend to produce miles of jerry-built nowhere, infested with Volkswagens." Similar scathing remarks abound, although to his credit, his strong opinions are all supported. In fact, I was often suprised at his statements, especially when he writes, "The modernist achievement's ... dynamic is gone, our relationship to it becoming history" - in otherwords, "modernism is dead."
Admittedly we are in a "post-modernist" society, a world in which (to borrow from Hughes again), "we ourselves made .. the problem for art, then, is how to survive here." In this respect, the book is showing its age (it was first published in 1980). While I agree with Hughes that the political message of art has been destroyed and usurped by mass production, art remains avant garde, continues to push the social enevelope, and does what art should do: hold a mirror up to society's face and force us to look at ourselves, warts and all. Hyper-realism and performance art are only two of many examples of how art is evolving and surviving in the world we have made. All in all, though, an informative, insightful and enjoyable read.
- Reviewed in the United States on February 11, 2018Robert Hughes is a brilliant art critic. ‘Shock of the New’ is organized in eight chapters that connect art movements with politics, technology, social and cultural change. A fan for many years, I heard him speak at a college in PA and talked with him, a memorable moment. I “must have” book for anyone interested in the visual arts.
- Reviewed in the United States on July 7, 2016This book is a very interesting read. I have to use this as a textbook for a class, but it does not read as a typical textbook. It is very easy to understand for the average reader, and a great resource for anyone wanting to know more about modern art. I highly recommend it.
- Reviewed in the United States on April 12, 2013Format: PaperbackVerified PurchaseThe book is for an Art History class I am taking for self-improvement.
It is in great 'used' condition; I did not want to pay the price for a new one.
Thanks, amazon, for making it available to me.
The art work in this book is what I will be seeing when I go to Paris & London next month!
- Reviewed in the United States on October 14, 2018Format: PaperbackVerified PurchaseExcellent read! This book doubles as a philosophical glimpse into how art can be a brilliant teacher and guide into the mystical aspects of existence. Thank you to the author for putting this piece of work together.
Top reviews from other countries
- AmandaAReviewed in the United Kingdom on October 30, 2024
5.0 out of 5 stars Excellent book for art history
Very good book. Lots of wonderful pictures and tells the history of visual arts in a very interesting and informative way. I got it for my studies and also lent it to classmates. So much detail. Great great book.
- KyReviewed in Canada on September 24, 2018
5.0 out of 5 stars Great
A good classic. I like how many important art works are in one book.
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Element LReviewed in Germany on October 4, 2024
5.0 out of 5 stars Epische Werk
Format: KindleVerified PurchaseAber die Bilder sind zu klein.
- gonzopolisReviewed in Australia on July 24, 2020
5.0 out of 5 stars Fine edition
Beautifully illustrated, a well-produced soft cover edition. Still relevant and entertaining.
- Client d'AmazonReviewed in France on November 3, 2016
5.0 out of 5 stars Wonderful.
Just great. Very interesting if you want to go deeper in the subject after having watched the 8-episode documentary, which is awesome.