The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the go... Read allThe story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
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He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it." In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.
Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.
I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they pretty much get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen." Gary F. Taylor, aka GFT, Amazon Reviewer
The film opens with a depiction of the 1954 slaughter of French troops by the Vietnamese army. Twenty one years later Lt. Col Moore (Gibson) and his battalion of 395 men are thrust unknowingly into the same hornet's nest consisting of some 4,000 battle hardened Viet Nam regulars who have been fighting their enemies for many years.
Director Randall Wallace tells the story from three perspectives. Firstly from the viewpoint of the Americans. Outnumbered ten to one they face impossible odds. How Col. Moore rallies his troops and gets them to pull together as a team is a central theme of the picture. Secondly, the story is told from the viewpoint of the wives and families left behind and the problems they have to deal with. Lastly, the Vietnamese army is shown not as unfeeling monsters, but as a professional army defending their beliefs and territory.
The battle scenes are as realistic and convincing as any war movie that you will ever see. We suffer through the casualties both on the battlefield and at home along with the participants. The special effects are seamless and exciting.
Mel Gibson gives a convincing performance as Moore and if you watch the DVD, you can see the amazing similarities between the two men. Madeleine Stowe plays Julie Moore and Keri Russell plays Barbara Geoghegan two of the wives who take on the unenviable task of delivering those dreaded telegrams to the widows from the War Department. Chris Klein plays Russell's husband Jack a new officer and father. His scene with Gibson in the base chapel is memorable. Greg Kinnear plays Captain Crandall the head of Moore's helicopter fleet. Don Duong is very effective as the Vietnamese commander. But acting cudos go to veteran Sam Elliot as the crusty Sgt. Major Plumley.
"We Were Soldiers" is a gripping Viet Nam war drama told in a way that reflects ALL of the participants in an impartially realistic way. As Hank Moore says on the DVD, They finally got it right.
We were soldiers is a movie about the first American attack on the Vietnamese. A col. rides into battle with his man and they have to encouter several attacks from the enemy. It also tells the story from the wife of the col., who receives the telegrams of the dead soldiers.
There are moments of action which are needed in a war movie. The action-moments are good and the special effects look real. There are also moments of drama, so the movie does not have full action only, which is good to stay concentrated. But the drama does not hurt the movie, because there's not to many of it.
Overall it's a movie which keeps your focus to the last minute. It's not the best war movie ever, but you should certainly see it. Not only because of the very good acting of Mel Gibson.
The millions in Indo-China murdered at the hands of the Communist cry that our "racism" was so poorly lead at the highest civilian levels that we abandon them. Their blood is not on my hands or on the hands of my fellow soldiers. It is on the hands of those who are so blind they refuse to see. A valid case could be made that that there are errors in the story, certainly it doesn't tell the rest of the story, or of the next part of this battle where US casualties were 40%. What it does tell it tells very well. Those men were volunteers, and their nobility shows in this movie. I recommend it, especially for any who would want to understand those who served at that time.
Based on actual events in 1965, this was the first major involvement of US troops and North Vietnamese regulars. The writing, directing, and acting are first rate, and the battle scenes are too real for comfort. What really makes the mind reel is that after the slaughter depicted in this film, Mel's character Lt. Col. Hal Moore goes back to the valley of death for more than 200 days. The American dead are listed on 3 East of the Vietnam Memorial Wall. I stood at attention and cried when the names of the fallen were listed at the end of the film. You will, too.
Did you know
- TriviaSam Elliott became so close to the real Basil L. Plumley and his family that during Plumley's funeral with military honors Elliott sat in the front row beside Plumley's daughter as she received the folded flag.
- GoofsContrary to what's shown in the movie, Lieutenant Henry Herrick and 2nd Platoon did not recklessly charge after a lone NVA soldier, but were in fact ordered to advance out to the flank by Captain John Herren and did so in a disciplined manner. However, he encountered a group of retreating PAVN soldiers and followed them, losing contact with the rest of the company and leaving the flank exposed. At one point, when coming to the clearing shown in the film, Herrick stopped and radioed back on whether or not he should continue through it or go around it, which was when he and his men were attacked by the NVA.
It was also Herrick's platoon that inflicted the first casualties on the NVA in said attack, not the other way around as shown in the movie.
- Quotes
Lt. Colonel Hal Moore: [Hal Moore speaks to his men before going into battle] Look around you. In the 7th cavalry, we've got a captain from the Ukraine; another from Puerto Rico. We've got Japanese, Chinese, Blacks, Hispanics, Cherokee Indians. Jews and Gentiles. All Americans. Now here in the states, some of you in this unit may have experienced discrimination because of race or creed. But for you and me now, all that is gone. We're moving into the valley of the shadow of death, where you will watch the back of the man next to you, as he will watch yours. And you won't care what color he is, or by what name he calls God. They say we're leaving home. We're going to what home was always supposed to be. Now let us understand the situation. We are going into battle against a tough and determined enemy.
[pauses]
Lt. Colonel Hal Moore: I can't promise you that I will bring you all home alive. But this I swear, before you and before Almighty God, that when we go into battle, I will be the first to set foot on the field, and I will be the last to step off, and I will leave no one behind. Dead or alive, we will all come home together. So help me, God.
- Alternate versionsTrailers include a scene where Julie Moore explains that the last thing most dying soldiers say is "Tell my wife I love her". This is not included in the theatrical release.
- SoundtracksHold On I'm Coming
Written by Isaac Hayes and David Porter
Performed by Tommy Blaize
Produced by Nick Glennie-Smith
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Fuímos heroes
- Filming locations
- Fort Hunter Liggett, California, USA(Central Highlands, South Vietnam)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $78,122,718
- Opening weekend US & Canada
- $20,212,543
- Mar 3, 2002
- Gross worldwide
- $115,374,915
- Runtime2 hours 18 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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