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Drive Your Plow Over the Bones of the Dead: A Novel Paperback – August 11, 2020
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New York Times Readers Pick: 100 Best Books of the 21st Century
"A brilliant literary murder mystery." —Chicago Tribune
"Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx
In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .
A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
- Reading age1 year and up
- Print length288 pages
- LanguageEnglish
- Dimensions5.12 x 0.73 x 7.97 inches
- Publication dateAugust 11, 2020
- ISBN-100525541349
- ISBN-13978-0525541349
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Editorial Reviews
Amazon.com Review
The book opens with a widely disliked neighbor found dead in his home. As more local figures are murdered, Janina develops a peculiar theory that brings her closer and closer to the truth. Between the indelible first-person voice and the pitch-perfect translation of author Olga Tokarczuk’s original Polish, it’s easy to forget that this engaging portrait of small town life is also a devilishly well-plotted crime novel. —Katy Ball
Review
PEN America Translation Prize longlist
Warwick Prize for Women in Translation shortlist
“A marvelously weird and fablelike mystery. . . . Authors with Tokarczuk’s vending machine of phrasing . . . and gimlet eye for human behavior. . . are rarely also masters of pacing and suspense. But even as Tokarczuk sticks landing after landing . . . her asides are never desultory or a liability. They are more like little cuts — quick, exacting and purposefully belated in their bleeding. . . . This book is not a mere whodunit: It’s a philosophical fairy tale about life and death that’s been trying to spill its secrets. Secrets that, if you’ve kept your ear to the ground, you knew in your bones all along.” — New York Times Book Review
“While it adopts the straightforward structure of a murder mystery, [the book features] macabre humor and morbid philosophical interludes [that] are distinctive to its author. . . [and an] excellent payoff at the finale. . . . As for Ms. Tokarczuk, there’s no doubt: She’s a gifted, original writer, and the appearance of her novels in English is a welcome development.”— The Wall Street Journal
“Drive Your Plow is exhilarating in a way that feels fierce and private, almost inarticulable; it’s one of the most existentially refreshing novels I’ve read in a long time.” — The New Yorker
“A paean to nature. . . a sort of ode to Blake. . . [and] a lament. . . Does Tokarczuk transcend Blake? Arguable —perhaps.” — NPR
“A brilliant literary murder mystery.” –Chicago Tribune
“ A winding, imaginative, genre-defying story. Part murder mystery, part fairy tale, Drive Your Plow is a thrilling philosophical examination of the ways in which some living creatures are privileged above others.” – TIME
“Shimmering with subversive brilliance . . . . this is not your conventional crime story—for Tokarczuk is not your conventional writer. Through her extraordinary talent and intellect, and her ‘thinking novels,’ she ponders and tackles larger ecological and political issues. The stakes are always high; Tokarczuk repeatedly rises to the occasion and raises a call to arms.”—HuffPost
“Sometimes the opening sentence of a first-person narrative can so vividly capture the personality of its speaker that you immediately want to spend all the time you can in their company. That’s the case with . . . Drive Your Plow Over the Bones of the Dead . . . [a] barbed and subversive tale about what it takes to challenge the complacency of the powers that be.” —Boston Globe
“Bewitching. . .. Serious crosscurrents … explore everything from animal rights to predetermination to the way society stigmatizes and marginalizes those it considers mad, strange or simply different . . . Tokarczuk is capable of miracles and ensures that this extraordinary novel soars.” —Minneapolis Star Tribune
"Sardonic humour and gothic plot-twists add a layer of macabre rustic comedy." – The Economist
"One of the funniest books of the year.” – The Guardian
“Written with humor, charm, and a great talent for mystery … a sharp, memorable alternative to those dime-a-dozen beach bag potboilers without losing any of the whodunnit appeal.” —Town & Country
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I.
Now Pay Attention
Once meek, and in a perilous path,
The just man kept his course along
The vale of death.
I am already at an age and additionally in a state where I must always wash my feet thoroughly before bed, in the event of having to be removed by an ambulance in the Night.
Had I examined the Ephemerides that evening to see what was happening in the sky, I wouldn't have gone to bed at all. Meanwhile I had fallen very fast asleep; I had helped myself with an infusion of hops, and I also took two valerian pills. So when I was woken in the middle of the Night by hammering on the door-violent, immoderate and thus ill-omened-I was unable to come round. I sprang up and stood by the bed, unsteadily, because my sleepy, shaky body couldn't make the leap from the innocence of sleep into wakefulness. I felt weak and began to reel, as if about to lose consciousness. Unfortunately this has been happening to me lately, and has to do with my Ailments. I had to sit down and tell myself several times: I'm at home, it's Night, someone's banging on the door; only then did I manage to control my nerves. As I searched for my slippers in the dark, I could hear that whoever had been banging was now walking around the house, muttering. Downstairs, in the cubbyhole for the electrical meters, I keep the pepper spray Dizzy gave me because of the poachers, and that was what now came to mind. In the darkness I managed to seek out the familiar, cold aerosol shape, and thus armed, I switched on the outside light, then looked at the porch through a small side window. There was a crunch of snow, and into my field of vision came my neighbor, whom I call Oddball. He was wrapping himself in the tails of the old sheepskin coat I'd sometimes seen him wearing as he worked outside the house. Below the coat I could see his striped pajamas and heavy hiking boots.
"Open up," he said.
With undisguised astonishment he cast a glance at my linen suit (I sleep in something the Professor and his wife wanted to throw away last summer, which reminds me of a fashion from the past and the days of my youth-thus I combine the Practical and the Sentimental) and without a by-your-leave he came inside.
"Please get dressed. Big Foot is dead."
For a while I was speechless with shock; without a word I put on my tall snow boots and the first fleece to hand from the coat rack. Outside, in the pool of light falling from the porch lamp, the snow was changing into a slow, sleepy shower. Oddball stood next to me in silence, tall, thin and bony like a figure sketched in a few pencil strokes. Every time he moved, snow fell from him like icing sugar from pastry ribbons.
"What do you mean, dead?" I finally asked, my throat tightening, as I opened the door, but Oddball didn't answer.
He generally doesn't say much. He must have Mercury in a reticent sign, I reckon it's in Capricorn or on the cusp, in square or maybe in opposition to Saturn. It could also be Mercury in retrograde-that produces reserve.
We left the house and were instantly engulfed by the familiar cold, wet air that reminds us every winter that the world was not created for Mankind, and for at least half the year it shows us how very hostile it is to us. The frost brutally assailed our cheeks, and clouds of white steam came streaming from our mouths. The porch light went out automatically and we walked across the crunching snow in total darkness, except for Oddball's headlamp, which pierced the pitch dark in one shifting spot, just in front of him, as I tripped along in the Murk behind him.
"Don't you have a flashlight?" he asked.
Of course I had one, but I wouldn't be able to tell where it was until morning. It's a feature of flashlights that they're only visible in the daytime.
Big Foot's cottage stood slightly out of the way, higher up than the other houses. It was one of three inhabited all year round. Only he, Oddball and I lived here without fear of the winter; all the other inhabitants had sealed their houses shut in October, drained the water from the pipes and gone back to the city.
Now we turned off the partly cleared road that runs across our hamlet and splits into paths leading to each of the houses. A path trodden in deep snow led to Big Foot's house, so narrow that you had to set one foot behind the other while trying to keep your balance.
"It won't be a pretty sight," warned Oddball, turning to face me, and briefly blinding me with his headlamp.
I wasn't expecting anything else. For a while he was silent, and then, as if to explain himself, he said: "I was alarmed by the light in his kitchen and the dog barking so plaintively. Didn't you hear it?"
No, I didn't. I was asleep, numbed by hops and valerian.
"Where is she now, the Dog?"
"I took her away from here-she's at my place, I fed her and she seemed to calm down."
Another moment of silence.
"He always put out the light and went to bed early to save money, but this time it continued to burn. A bright streak against the snow. Visible from my bedroom window. So I went over there, thinking he might have got drunk or was doing the dog harm, for it to be howling like that."
We passed a tumbledown barn and moments later Oddball's flashlight fetched out of the darkness two pairs of shining eyes, pale green and fluorescent.
"Look, Deer," I said in a raised whisper, grabbing him by the coat sleeve. "They've come so close to the house. Aren't they afraid?"
The Deer were standing in the snow almost up to their bellies. They gazed at us calmly, as if we had caught them in the middle of performing a ritual whose meaning we couldn't fathom. It was dark, so I couldn't tell if they were the same Young Ladies who had come here from the Czech Republic in the autumn, or some new ones. And in fact why only two? That time there had been at least four of them.
"Go home," I said to the Deer, and started waving my arms. They twitched, but didn't move. They calmly stared after us, all the way to the front door. A shiver ran through me.
Meanwhile Oddball was stamping his feet to shake the snow off his boots outside the neglected cottage. The small windows were sealed with plastic and cardboard, and the wooden door was covered with black tar paper.
The walls in the hall were stacked with firewood for the stove, logs of uneven size. The interior was nasty, dirty and neglected. Throughout there was a smell of damp, of wood and earth-moist and voracious. The stink of smoke, years old, had settled on the walls in a greasy layer.
The door into the kitchen was ajar, and at once I saw Big Foot's body lying on the floor. Almost as soon as my gaze landed on him, it leaped away. It was a while before I could look over there again. It was a dreadful sight.
He was lying twisted in a bizarre position, with his hands to his neck, as if struggling to pull off a collar that was pinching him. Gradually I went closer, as if hypnotized. I saw his open eyes fixed on a point somewhere under the table. His dirty vest was ripped at the throat. It looked as if the body had turned on itself, lost the fight and been killed. It made me feel cold with Horror-the blood froze in my veins and I felt as if it had withdrawn deep inside my body. Only yesterday I had seen this body alive.
"My God," I mumbled, "what happened?"
Oddball shrugged.
"I can't get through to the Police, it's the Czech network again."
I pulled my cell phone from my pocket and tapped out the number I knew from the television-997-and soon after an automated Czech voice responded. That's what happens here. The signal wanders, with no regard for the national borders. Sometimes the dividing line between operators parks itself in my kitchen for hours on end, and occasionally it has stopped by Oddball's house or on the terrace for several days. Its capricious nature is hard to predict.
"You should have gone higher up the hill behind the house," I belatedly advised him.
"He'll be stiff as a board before they get here," said Oddball in a tone that I particularly disliked in him-as if he had all the answers. He took off his sheepskin coat and hung it on the back of a chair. "We can't leave him like that, he looks ghastly. He was our neighbor, after all."
As I looked at Big Foot's poor, twisted body I found it hard to believe that only yesterday I'd been afraid of this Person. I disliked him. To say I disliked him might be putting it too mildly. Instead I should say that I found him repulsive, horrible. In fact I didn't even regard him as a human Being. Now he was lying on the stained floor in his dirty underwear, small and skinny, limp and harmless. Just a piece of matter, which some unimaginable processes had reduced to a fragile object, separated from everything else. It made me feel sad, horrified, for even someone as foul as he was did not deserve death. Who on earth does? The same fate awaits me too, and Oddball, and the Deer outside; one day we shall all be nothing more than corpses.
I glanced at Oddball, in the hope of some consolation, but he was already busy making the rumpled bed, a shakedown on a dilapidated folding couch, so I did my best to comfort myself. And then it occurred to me that in a way Big Foot's death might be a good thing. It had freed him from the mess that was his life. And it had freed other living Creatures from him. Oh yes, suddenly I realized what a good thing death can be, how just and fair, like a disinfectant, or a vacuum cleaner. I admit that's what I thought, and that's what I still think now.
Big Foot was my neighbor, our houses were only half a kilometer apart, yet I rarely had anything to do with him. Fortunately. Instead I used to see him from afar-his diminutive, wiry figure, always a little unsteady, would move across the landscape. As he went along, he'd mumble to himself, and sometimes the windy acoustics of the Plateau would bring me snippets of this essentially simple, unvarying monologue. His vocabulary mainly consisted of curses, onto which he tacked some proper nouns.
He knew every scrap of this terrain, for it seems he was born here and never went further than Kodzko. He knew the forest well-what parts of it he could use to earn money, what he could sell and to whom. Mushrooms, blueberries, stolen timber, brushwood for kindling, snares, the annual off-road vehicle rally, hunting. The forest nurtured this little goblin. Thus he should have respected the forest, but he did not. One August, when there was a drought, he set an entire blueberry patch ablaze. I called the fire brigade, but not much could be saved. I never found out why he did it. In summer he would wander about with a saw, cutting down trees full of sap. When I politely admonished him, though finding it hard to restrain my Anger, he replied in the simplest terms: "Get lost, you old crone." But more crudely than that. He was always up to a bit of stealing, filching, fiddling, to make himself extra cash; when the summer residents left a flashlight or a pair of pruning shears in the yard, Big Foot would instantly nose out an opportunity to swipe these items, which he could then sell off in town. In my view he should have received several Punishments by now, or even been sent to prison. I don't know how he got away with it all. Perhaps there were some angels watching over him; sometimes they turn up on the wrong side.
I also knew that he poached by every possible means. He treated the forest like his own personal farm-everything there belonged to him. He was the pillaging type.
He caused me many a sleepless Night. I would lie awake out of helplessness. Several times I called the Police-when the telephone was finally answered, my report would be received politely, but nothing else would happen. Big Foot would go on his usual rounds, with a bunch of snares on his arm, emitting ominous shouts. Like a small, evil sprite, malevolent and unpredictable. He was always slightly drunk, and maybe that prompted his spiteful mood. He'd go about muttering and striking the tree trunks with a stick, as if to push them out of his way; he seemed to have been born in a state of mild intoxication. Many a time I followed in his tracks and gathered up the primitive wire traps he'd set for Animals, the nooses tied to young trees bent in such a way that the snared Animal would be catapulted up to hang in midair. Sometimes I found dead Animals-Hares, Badgers and Deer.
"We must shift him onto the couch," said Oddball.
I didn't like this idea. I didn't like having to touch him.
"I think we should wait for the Police," I said. But Oddball had already made space on the folding couch and was rolling up the sleeves of his sweater. He gave me a piercing look with those pale eyes of his.
"You wouldn't want to be found like that, would you? In such a state. It's inhuman."
Oh yes, the human body is most definitely inhuman. Especially a dead one.
Wasn't it a sinister paradox that now we had to deal with Big Foot's body, that he'd left us this final trouble? Us, his neighbors whom he'd never respected, never liked, and never cared about?
To my mind, Death should be followed by the annihilation of matter. That would be the best solution for the body. Like this, annihilated bodies would go straight back into the black holes whence they came. The Souls would travel at the speed of light into the light. If such a thing as the Soul exists.
Overcoming tremendous resistance, I did as Oddball asked. We took hold of the body by the legs and arms and shifted it onto the couch. To my surprise I found that it was heavy, not entirely inert, but stubbornly stiff instead, like starched bed linen that has just been through the mangle. I also saw his socks, or what was on his feet in their place-dirty rags, foot wrappings made from a sheet torn into strips, now gray and stained. I don't know why, but the sight of those wrappings hit me so hard in the chest, in the diaphragm, in my entire body, that I could no longer contain my sobbing. Oddball cast me a cold, fleeting glance, with distinct reproach.
Product details
- Publisher : Riverhead Books
- Publication date : August 11, 2020
- Edition : Reprint
- Language : English
- Print length : 288 pages
- ISBN-10 : 0525541349
- ISBN-13 : 978-0525541349
- Item Weight : 2.31 pounds
- Reading age : 1 year and up
- Dimensions : 5.12 x 0.73 x 7.97 inches
- Best Sellers Rank: #8,099 in Books (See Top 100 in Books)
- #26 in Fiction Satire
- #90 in Science Fiction Crime & Mystery
- #326 in Literary Fiction (Books)
- Customer Reviews:
About the author

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Learn more how customers reviews work on AmazonCustomers say
Customers find this novel engaging and beautifully written, praising its poetic narrative style and darkly humorous philosophy. The book features a captivating protagonist and lovely descriptions of the landscape, making it a thought-provoking philosophical novel. While some customers describe it as a fast and interesting read, others find it slow to start.
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Customers enjoy the suspenseful story of this book, describing it as an intriguing and engaging mystery with a beautifully perfect narrative.
"Good story. Very well written. Bought 2 more books to give as gifts. Very long queue at the library." Read more
"This story is presented as a murder mystery, though it turns out to be one with a fairly predictable solution, which you will find yourself sensing..." Read more
"...Like Blake, this author is both enigmatic and insightful. Passages that caught my eye: "..." Read more
"...While organic and natural to the character the theme is not subtle and seems overplayed...." Read more
Customers find the book highly entertaining and enjoyable to read.
"So you know how sometimes a book is fine and you enjoy it well enough when you’re reading it and could think of good things to say about it but it..." Read more
"This is a highly entertaining read, a tale of “frontier justice” not to be missed!..." Read more
"...Darkly entertaining, deeply disturbing, and quite resonant. Excellent!" Read more
"...Janina in a movie adaptation. Overall very good book with great quotes." Read more
Customers praise the writing quality of the book, noting its poetic narrative and how it stands out from typical prose.
"Good story. Very well written. Bought 2 more books to give as gifts. Very long queue at the library." Read more
"...The prose is clever and engaging, but I think it’s the style choice that defeated my attempts to get fully into it: like Blake, Tokarczuk uses..." Read more
"This book is a little offbeat, a little different but a good read...." Read more
"...Outside of that, she studies astrology, translates Blake into Polish and watches the animals who surround her...." Read more
Customers find the book thought-provoking, describing it as beautifully insightful with an interesting life view and right touch to the story.
"...It’s not often we encounter smart, strong, interesting, and independent protagonists who happen to be single older women. Those I like...." Read more
"...Like Blake, this author is both enigmatic and insightful. Passages that caught my eye: "..." Read more
"...lovable character owing to her courage, candor, and commitment to her ideals...." Read more
"...Darkly entertaining, deeply disturbing, and quite resonant. Excellent!" Read more
Customers appreciate the character development in the book, finding the characters fascinating and the protagonist's voice captivating. One customer notes that the main character is an eccentric older woman, while another mentions the story is populated with characters named Bigfoot.
"...It’s not often we encounter smart, strong, interesting, and independent protagonists who happen to be single older women. Those I like...." Read more
"...Janina herself is a well-drawn character, and an unusual protagonist (an older lady, kind of kooky) in a way that feels refreshing...." Read more
"...The first person narrator is a quirky, ironic, and remarkably lovable character owing to her courage, candor, and commitment to her ideals...." Read more
"...for Literature is structured as a murder mystery and features a quite peculiar protagonist...." Read more
Customers enjoy the book's darkly humorous philosophy and find it entertaining, with one customer describing it as delightfully peopled.
"...middle-aged hippie living alone in rural Poland—tend toward the humorous, poetic, mythical, and philosophical...." Read more
"...The prose is clever and engaging, but I think it’s the style choice that defeated my attempts to get fully into it: like Blake, Tokarczuk uses..." Read more
"...The first person narrator is a quirky, ironic, and remarkably lovable character owing to her courage, candor, and commitment to her ideals...." Read more
"...Darkly entertaining, deeply disturbing, and quite resonant. Excellent!" Read more
Customers praise the book's beauty, particularly its lovely descriptions of the landscape and stunning translation into English, with one customer noting its magical realism style.
"Janina Duszejko is a many-dimensional person. Surely bright, surely a bit deranged by the standards of the people in the town she lives above...." Read more
"...huge thank you to the translator, for bringing such an incredibly beautiful work into English...." Read more
"...A story which neatly ties up its every introduction, whose form is pearlescent." Read more
"A story with heart, intelligence and strength. The setting is as stark and honest as the writing. The lead character as complex as we each are." Read more
Customers have mixed opinions about the pacing of the book, with some finding it a very fast interesting read and an effortless one, while others note it starts a little slow and is slow going.
"...in the book are fully drawn, interesting and make for an easy reading experience. There are two drawbacks...." Read more
"...Very well written and nicely paced. As I said in the headline, this is a worthwhile read." Read more
"...Very well written. Bought 2 more books to give as gifts. Very long queue at the library." Read more
"...The characters are well-developed and vivid. The plot moves quickly with the narrator's insights and observations threaded throughout...." Read more
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slow-build literary mystery
Top reviews from the United States
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- Reviewed in the United States on May 28, 2025Format: PaperbackVerified PurchaseGood story. Very well written. Bought 2 more books to give as gifts. Very long queue at the library.
- Reviewed in the United States on October 19, 2024Format: PaperbackVerified PurchaseThis story is presented as a murder mystery, though it turns out to be one with a fairly predictable solution, which you will find yourself sensing about halfway through the book. What makes this murder mystery unique is how the musings of the main character Janina—a misanthropic, animal-loving, middle-aged hippie living alone in rural Poland—tend toward the humorous, poetic, mythical, and philosophical. I sense in the book the influence of Bruno Schulz, another famed Polish author. The problem is that those musings can also tend to be rather annoying when the author wants us to find them funnier than they really are.
It’s not often we encounter smart, strong, interesting, and independent protagonists who happen to be single older women. Those I like. But I’ve known many people who behave very specifically like Janina, and I’ve never liked any of them: impractical, self-sabotaging, overly dramatic baby boomer hippie women who believe in new age things and who make their illnesses aspects of their personality. Maybe the author is making the point that we, the readers, don’t have to like or agree with the protagonist. But it seems that the author herself does, at least a little, and wants us to see the justifications behind Janina’s actions. This I find increasingly difficult to do as the story progresses, and especially after Janina is revealed to be an extremely unreliable narrator. By that time, I’ve already figured out the mystery for myself anyway (or have stopped caring which of the four or five main characters could be the culprit), and what I do come to understand is how Janina’s predicament is actually caused by her lifelong string of poor life decisions, lack of social skills, and bouts of irrational thinking enabled by well-meaning associates.
I think the story would be improved if the ending weren’t so pat, neat, and clean (or at least so guessable.) It would be more interesting if there were no solution at all, or if one were revealed that was pointless, inexplicable, maybe even involving some magical realism. Because the mystery isn’t even the point here. The main attraction is really the author’s descriptions of Janina’s secluded, dismal, woodsy life near a small town run by corrupt, sexist, game-shooting locals, how she got there, and her idiosyncratic inner monologues, all which I found fascinating enough as a realist slice-of-life story. The author wants us to read the story as eccentric and philosophical, when in reality the story is a more serious portrait of mental illness left undiagnosed and untreated, debilitating the life of a person who is otherwise educated and accomplished. In this I find more tragedy than humorous, philosophical depth.
- Reviewed in the United States on June 30, 2022Format: PaperbackVerified PurchaseThis book might be categorized as a "mystery," because there are murders which are solved at the end. But what draws the reader in is the twisted mind of the narrator -- a recluse who believes in astrology and loves animals and does good things for strange reasons. In fact, it wasn't until the very end that I realized that it was a mystery.
Each chapter begins with a quote from William Blake, and the title is a quote from his "Proverbs of Hell":
"In seed time learn, in harvest teach, in winter enjoy. Drive your cart and your plow over the bones of the dead. The road of excess leads to the palace of wisdom. Prudence is a rich ugly old maid courted by Incapacity. He who desires but acts not, breeds pestilence. The cut worm forgives the plow. Dip him in the river who loves water. A fool sees not the same tree that a wise man sees. He whose face gives no light, shall never become a star. Eternity is in love with the productions of time."
Like Blake, this author is both enigmatic and insightful.
Passages that caught my eye:
"It is in the feet that all knowledge of Mankind lies hidden; the body sends them a weighty sense of who we really are and how we relate to the earth." p. 10
"I believe each of us sees the other Person in our own way, so we should give them the name we consider suitable and fitting. Thus, we are polyonymous." p. 19
"I have never believed in any personalized distribution of eternal Light." p. 39
"As I gazed at the black-and-white landscape of the Plateau, I realized that sorrow is an important word for defining the world. it lies at the foundations of everything, it is the fifth element, the quintessence." p. 47
"Fancy being given a body and not knowing anything about it. There's no instruction manual." p. 83
"Sometimes I think that only the sick are truly healthy." p. 84
"There's nothing natural about nature anymore...It's too late. The natural processes have gone wrong, and now we must keep it all in control to make sure there's no catastrophe." p. 195
"... sometimes it seems to me we're living in a world that we fabricate for ourselves. We decide what's good and what isn't, we draw maps of meanings for ourselves... And then we spend our whole lives struggling with what we have invented for ourselves. The problem is that each of us has our own version of it, so people find it hard to understand each other." p. 224
"... my belief that the human psyche evolved n order to defend us against seeing the truth. To prevent us from catching sight of the mechanism. The psyche is our defense system -- it makes sure we'll never understand what's going on around us. Its main task is to filter information, even though the capabilities of our brains are enormous." p. 225
"The fact that we don't know hat's going to happen in the future is a terrible mistake in the programming of the world. It should be fixed at the first opportunity." p. 271
- Reviewed in the United States on December 1, 2023Format: PaperbackVerified PurchaseSo you know how sometimes a book is fine and you enjoy it well enough when you’re reading it and could think of good things to say about it but it never actually hooks you? That’s what this was, for me. It’s narrated by Janina, an eccentric older woman living in a tiny Polish hamlet just over the border from the Czech Republic. Janina is a bit of a weirdo, working in her spare time to translate William Blake into Polish (from whence the title comes) and casting horoscopes as a serious practitioner of astrology. The story begins when she and a neighbor discover a man who lives near them dead, having choked on a bone during a meal. His is just the first death in a series that begins to strike in the local area, which passionate animal-rights advocate Janina attributes to revenge by animals against known hunters and poachers. It’s not quite a murder mystery since I feel like that implies some level of investigation beyond searching a natal chart for signs that the victims would have violent encounters by animals, but the murders do provide the plot’s forward momentum. Janina herself is a well-drawn character, and an unusual protagonist (an older lady, kind of kooky) in a way that feels refreshing. The prose is clever and engaging, but I think it’s the style choice that defeated my attempts to get fully into it: like Blake, Tokarczuk uses capitalization in non-standard ways and it kept breaking up my ability to get into a flow with it even once I figured out it was a Blake reference. I really wish this had worked better for me but I’ll definitely read her work again in the future!
Top reviews from other countries
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FortunataReviewed in Spain on October 17, 2019
5.0 out of 5 stars Verdadero descubrimidnto
Gracias a que esta autora ha recibido el Premio Nobel he podido conocer y disfrutar de esta maravillosa obra, es de una originalidad, belleza y profundidad incomparable, estoy deseando leer el resto de su obra.
- Literature LadyReviewed in Italy on June 26, 2022
5.0 out of 5 stars brilliantly written and well told
This darkly feminist comedy is a disturbing murder mystery, an ode to William Blake, and a call to respect nature. The story centres around a woman in her sixties, Janina, an eccentric vegetarian and part recluse, who is hopelessly out of touch with the thinking around her in her small Polish village, where she sometimes teaches English She hates the hypocrisy of traditional religion, the superiority of humans and what they regard as their right to exploit other species. She explores the themes of the value of all life, and specifically those of her two dogs who have gone missing. She raises some uncomfortable questions on why the killing of a deer is regarded as "sport" and the killing of a human as "murder" and makes no secret of the way she thinks or of her preference for the company of animals as opposed to that of humans, basing some of her assumptions on astrology. The book is thought provoking, well written, and a brilliant read! It will make you sit up and think....and think again. I loved it!
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新しもの好きReviewed in Japan on July 26, 2023
5.0 out of 5 stars じわりと味が出てくる
森の脇にいくつも別荘があるが冬のあいだは空き家となるチェコ国境のポーランド片田舎。そこに棲みつき空別荘の面倒をみている初老の女性ジャニーナは体調不良をかばいつつ星占いに凝り、森の動物たちをこよなく愛し、そのためハンターを憎み、そしてウイリアム・ブレイクの詩にどっぷり浸かる 人目には狷介とみえるも至極真面目に生きている。静けさを破って男たちが一人また一人奇怪な死を遂げ、警察は事故死と判断するが ジャニーナは近くにある鹿や狐の痕跡と当人たちの星座から「絶対に動物の復讐だ!」と再三にわたり長い手紙を警察に出し、周囲から「厄介な人物」と迷惑がられている。元エンジニアで理屈っぽいジャニーナの一人称で紡ぐ話だが毎日の出来事にあわせて独断的な星座のチェックにブレイクの詩が絡み合い、通読したときは「なんだかなあ・・」という感じだったが、外国の書評子たち(Goodreads)がとんでもない長さで蘊蓄を傾けているのを読み、「せっかくのノーベル賞作家の本だし」と「ブレイク詩集(岩波文庫)」を求めた。なるほどタイトルがこれか “地獄の格言:死者の骨の上に汝の荷車を駆り、汝の鋤をとおせ(松島正一訳)” (ブレイクの詩は古い時代を反映していて 凡人にはどれも松島氏の注釈がないとよって立つ意味がわからない。)それにしても本誌全編に散りばめてある詩の各片が結構な意味を持つかも、で、もう一度始めから読み直した。やっぱり普段読んでいる直球勝負のミステリ小説ではなかった。余韻たっぷりながら少々満腹気味。 文中所々で普通名詞が大文字で始まっており首を傾げていたが上記松島氏の解説ではブレイク時代はそういう書き方があったそうで 作者もそれに倣って言葉を強調しているのだろうか。
- CoquillageReviewed in Mexico on December 25, 2020
5.0 out of 5 stars I simply loved It! I sympatize with the author's ideas and love her style. I also appreciated the translator's work. It's definitely the best book I read this year and I will certainly read more books of this author.
I simply loved It! I sympatize with the author's ideas and love her style. I also appreciated the translator's work. It's definitely the best book I read this year and I will certainly read more books of this author.
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Daniele RenaudReviewed in France on November 23, 2019
5.0 out of 5 stars Originalité et mystère
Pour commencer, le style étant pour moi aussi important que le message du livre, ( lu dans sa traduction anglaise) , celui-ci déroule son histoire en douceur et poésie.
Fiction originale, mêlant polar, astrologie, écologie et amour de la nature, avec une héroïne hors du commun, isolée dans sa maison au fond des bois...je n’en dirai pas plus mais ce livre laissera une trace indélébile dans ma mémoire...