A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.
- Won 4 Oscars
- 125 wins & 126 nominations total
- Voice of the Ring
- (voice)
- Gollum
- (voice)
Summary
Featured reviews
I thought that having Galadriel tell what was basically the prologue of the book was a good idea, as it helped those who had never read the story. It also immediately involved me in the film; I felt I had an insider's advantage on the rest of the audience. Cate Blanchett has a wonderfully deep and emotional voice; the way she speaks Galadriel is almost as effective as her appearence as the Elven queen. Also, showing the last battle of Isildur and Sauron helped unfog a part of the novel that had me a trifle confused.
The entire movie is full of beautiful sets and landscapes. The Shire was almost exactly as I'd pictured it. Hobbiton is cute and very whimsical. Mordor was frighteningly well done, extremely real. Rivendell had a little bit of a European-tourist-trap look, but was beautiful all the same. The entire backdrop of the movie (the mountains, Moria, Isengard) was perfect; it's amazing that "Fellowship" was filmed in one country.
Now to the characters. All I can say is, "Wow." I was a little apprehensive about the casting at first; I'd created such real images of the characters in my imagination, I almost didn't want them spoiled for me. However, I was not disapointed in the least. Elijah Wood, though not one of my favorite actors, was believable. You could tell from the first glimpse that Frodo was special; Wood's pale, sharp features contrast sharply with the more ruddy, robust look of the rest of the hobbits. He also cries like a little girl. But his weaknesses and strengths make his Frodo an apt choice for the starring character. The rest of the Hobbiton gang was well-chosen, too. Sean Astin ("Rudy" forever to me) was loyal and a bit bumbling, just like the Gamgee of Tolkien's telling. Pippin and Merry were congenial, slow-witted lads, but very brave nonetheless. Viggo Mortensen is outstanding. He has the ability to make Aragorn both menacing and kind. He physically represents Strider to the nines with his strength and virility; the action sequences of his are very passionate and exciting. Some may have complained about Arwen's character being slightly expanded; I thought it a good change. In the books, you have to read the whole trilogy and then rifle through the appendix in "The Return of the King" to learn the history between Aragorn and Arwen. Liv Tyler is ethereal and breathtaking, but at the same time displays the courage and magic that make the Elves the beings they are. Speaking of Elves, I can't help but gush over the handsome and ever-so-talented Orlando Bloom as noble Legolas. Bloom captured the archer's very movements; he treads lightly and fights fearlessly. Legolas's bowmanship was amazing; he looked so natural loosing his arrows machine-gun style. He was my favorite character in the books, and his essence transcends the film. Gimli was pompous and brave, as well. He is well-represented in the movie. Boromir was hopelessly lost, but at the same time valiant and strong. Sean Bean gave an emotionally-charged performance as the tortured warrior. Hugo Weaving was very good as Elrond. He was noble and cold at the same time. And Gandalf. What more can be said of Ian McKellan's showcase portrayal of the wizard? He was magnificent. He could be Gandalf, the kind old conjurer who set off pyrotechnics for hobbit-children. Then he could turn around and stun the life out of you with Gandalf the powerful wizard, facing the balrog with defiance and an iron will. His Oscar nomination is well-deserved.
Peter Jackson is a brave soul to take on a project that could have backfired in so many places. Instead of bringing us uninspired kitsch, he serves up raw emotion, graphic battles of good and evil, chilling and wonderful characters, and enough special effects (realistic, mind you) to make John Cameron's mouth water. Knowing that "The Two Towers" was my favorite of the books, I eagerly anticipate the second helping of "The Lord of the Rings."
I loved The Two Towers and Return of the King almost as much as FOTR, but not quite, because seeing Fellowship for the first time was like taking a journey to a fabulous new place and meeting incredible new friends that you don't want to leave. I've never felt anything quite like what this epic evoked in me. It was akin to being a child again, with that tireless sense of wonder and enjoyment of each and every moment, maybe because as a child you are discovering your surroundings, and whatever age you are, when you watch the Fellowship of the Ring you are rendered in awe upon being introduced to the purity and beauty of Middle Earth and darkly enthralled by the majesty of Eisengard, Saruman, Sauron and all of their mighty malice. One of the things that makes this movie so special (and there are so many!) is that you fall in love not only with the "good" characters, but also with the "evil" ones. For example, Christopher Lee was amazing as Saruman, and I can't imagine the movie without him.
Some films that might be comparable to the Lord of the Rings trilogy are: The Fifth Element, the Star Wars Trilogy parts IV, V and VI (forget the newer prequels), the Matrix trilogy (especially the first part), Interview with a Vampire, the Legend of Sleepy Hollow (with Johnny Depp), Logan's Run and The Island. They are all excellent movies and works of art that weave that movie magic that keeps you spellbound and entranced for the duration of their runtime.
But after seeing The Fellowship of the Ring, I knew I had found the movie by which I would judge all other movies. Based on J.R.R. Tolkien's beloved books, Peter Jackson has set a new standard in the industry of cinema, one that I honestly think has not and won't be surpassed, at least not in my lifetime, not even by PJ himself.
It is truly an instant classic that will stand the test of time and be loved by generations to come. God Bless Tolkien and Jackson and everyone involved in the conception and making of this film, for creating a world that is at my fingertips, only takes the touch of a button to go to whenever I want, and makes me forget everything else.
The LOTR Trilogy is undoubtedly MY precious, the non plus ultra of all movies!
Now, several years later after having watched all three of these "Rings" films twice each, I still think this first movie of the trilogy is the best. It is a truly spectacular adventure story all the way through, probably the best ever put to film...and the first three hours of it is extra special. The following two films were very good, to be sure, but this first had a better mixture of the story. The second and third movies were almost entirely Frodo and his allies' long journey, but the first half of this movie also gives a good bit of interesting introductory material including a number of scenes at the Shire, before the long adventure starts. If you watch all three of these films consecutively the action wears you down by midway through the final episode and it almost becomes just too much That never gets a chance to happen with the "Fellowship" film.
Anyway, "Fellowship," stunned me for the visuals alone. I can't recall any film that has so many jaw-dropping scenes, one after the other, for three straight hours. Some are beyond description, and I don't care if they are computer- generated. So what? The fact is they are awesome to view, both in beauty and in staggering action scenes that feature incredible-looking monsters and other mythical characters.
The story covers all kinds of terrain, too, from the lush Shire of the Hobbits, to the harsh neighboring landscapes. Each couple of minutes, as in the two movies that followed, scenes radically change from calmness to action, adventure to romance, sweet lovable characters to hideous monsters, on and on and on. It's an incredible movie experience.
Within minutes of the start of this first chapter of an undeniably epic trilogy, the audience was left gasping at the intensity of the images on the screen. And we had nearly three hours to go.
The scope of Tolkien's masterpiece may have eluded film-makers for decades, but director Peter Jackson makes good on his promise: he has not only brought us the tale of Frodo and his bold companions, he has brought us Middle Earth. And believe me, it is BIG. Sweeping vistas and hang-onto-your-seat camera shots send us zooming through the towering cities and citadels of Tolkien's imagination.
But even more impressive than the stunning visuals and sound-effects-like-you've-never-heard-before are the actors who breathe life into the characters. Ian McKellen's portrayal of Gandalf is nothing short of awe-inspiring, and Elijah Wood's Frodo is one of the most unexpectedly captivating performances I've seen in a long time. The despair, terror, and determination of the Fellowship is all there, in spades. I left the theater aching...from tensing every muscle during the fight and flight sequences--the breathless and compelling kind we haven't seen since Spielberg gave us a desperate charge onto the D-Day beaches of Normandy.
Those unfamiliar with Tolkien's world may quickly find themselves lost in it, but happily so. The depth of his creation cannot be grasped in a few hours, and it doesn't need to be; the struggle of good against evil explodes on the screen, and leaves little room for complaint.
The movie ended with a stunned audience sitting on the edges of their seats, feeling somewhat bereft. We were exhausted, but no one wanted to wait a year for more.
Jackson's ambitious first chapter is truly unlike anything you've seen this year. George Lucas and Chris Columbus take note: this is how you deliver on a cinematic promise.
For everyone else: don't you dare miss it.
Now about the omissions and alterations. I'm not a crazed fanatic who gets worked up over every little detail. I didn't mind Arwen's inflation and I'm actually glad Tom Bombadil was scrubbed (I felt Tom Bombadil was an unnecessary addition to the book). Despite these minor changes, the screenplay stays extremely close to the book and flows very very well (and the prologue was a nice touch).
The acting was flawless. As I've read many many times in other reviews, McKellen doesn't play Gandalf, he IS Gandalf. Wood, Mortensen, Holm, Astin, everyone was fantastic. My hat's off to Sean Bean who delivers an excellent performance as Boromir, a character who's intentions are good but wrestles with the corrupting power of the Ring. Bean portrays it VERY well. Oh, and Andy Serkis does a PERFECT Gollum voice. It's EXACTLY as I imagined it myself.
The special effects were incredible, the cave troll, the balrog, Gollum, and Sauron's Eye all looked amazing. I was also very impressed by the seamless shrinking of the vertically challenged characters.
What's wrong with this movie? I have no idea... I thought everything was perfect. MY biggest gripe is having to wait an entire year to see The Two Towers!
Did you know
- TriviaSir Christopher Lee (Saruman) read "The Lord of the Rings" once a year until his death in 2015, and had done so since the year it was published. He was also the only member of the cast and crew ever to have met J.R.R. Tolkien.
- GoofsMany viewers spotted a car in the background of the theatrical version when Sam says that he is now the furthest he has ever been from home. In a 1 December 2003 Newsweek article, director Peter Jackson confirmed this, and revealed the car had been removed digitally for the DVD release. Jackson says: "We actually didn't know about the car until we were cutting the movie. The smoke and dust wasn't so bad because there was already lots of it around, but the bloody windshield was reflecting the sun back into the camera lens. So we erased it for the DVD. I think some people were upset because they tried to show it to their friends and it was gone." (The infamous car can be seen on the "Academy DVD" which was created for the Oscar jurors and leaked on the Internet. Also, the unaltered shot with the car appearing in it is contained in the bonus material of the SEE DVD - the feature about the film score.)
- Quotes
Frodo: I wish the ring had never come to me. I wish none of this had happened.
Gandalf: So do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world Frodo, besides the will of evil. Bilbo was meant to find the Ring. In which case, you were also meant to have it. And that is an encouraging thought.
- Crazy creditsAfter the end credits, the DVD and Blu Ray editions of the extended cut feature a list of "Lord of the Rings fan-club members" who contributed financially to the project in exchange for a credit. This additional credit sequence lasts 20 minutes.
- Alternate versionsThe opening and closing New Line Cinema logos are both plastered in the 2011 Blu-ray release of the Extended Edition with the 2003 variant that features the TimeWarner byline instead of AOL Time Warner.
- ConnectionsEdited into Lord of the Piercing (2002)
- SoundtracksFlaming Red Hair
Music Composed and Performed by David Donaldson, David Long, Steve Roche (as Stephen Roche), Janet Roddick with Peter Daly, Chris O'Connor, Ruairidh Morrison, and Grant Shearer
Courtesy of Mana Music
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El señor de los anillos: La comunidad del anillo
- Filming locations
- Wellington, New Zealand(Bree)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $93,000,000 (estimated)
- Gross US & Canada
- $319,372,078
- Opening weekend US & Canada
- $47,211,490
- Dec 23, 2001
- Gross worldwide
- $888,483,037