This Is Spinal Tap

THIS IS SPINAL TAP (1984) **** Rob Reiner, Christopher Guest, Michael McKean, Harry Shearer (Cameos: Billy Crystal, Dana Carvey, Fran Drescher, Paul Shaffer, Howard Hesseman, Ed Begley, Jr., Fred Willard, Angelica Huston {note spelling!} ).

Hysterically funny and dead-on "rockumentary" spoof of absurd documentaries and lame so-called rock groups with wicked satirical approach and clever camera shots as well. Directed by Reiner (his debut) with accurate depiction of super-inflated egos, pompous hangers-on and hilarious intimate moments with great dialogue thanks to the improvisations of the trio who reportedly worked from no screenplay. Best moment: Spinal Tap trying to find the stage. And I personally agree with the keyboardist's philosophy of "Have a good time, all the time".

In 1982 the world's loudest band is about to undertake it's comeback tour of America to coincide with the release of the new album. The group, Spinal Tap, is accompanied by documentary filmmaker Marti DeBergi on what turns out to be a fateful chapter in the band's colourful history.

Despite what anyone else tells you, this is easily one of the most quotable movies made and is just as funny today as it was when it was made, unless you are so out of touch with the world that it affectionately spoofs. The film is almost a tragedy so well does it chronicle the absurd collapse of the band. However, regardless of the hows and whats, the comedy is in the characters and the sharp dialogue. While most of the specific action is really funny, it is best during the backstage arguments and the candid interviews.

The dialogue is fantastic from start to finish and is made better by a superb cast delivering absurd lines with a straight face! McKean, Guest and Shearer are the strongest of the cast have most of the best lines. The support cast is also crammed with cameos from such people as Bruno Kirby, Billy Crystal, Begley Jnr, Macnee, Paul Shaffer, Anjelica Huston and others. Reiner excels as director, writer and documentarian, the film has his hands all over it.

Overall this is a great film, so much has been said about it that I won't go on any longer. While it is not an out and out spoof like Naked Gun, this film is wittier as the comedy comes from the dialogue and the sheer imagination of the writing!

A fantastic mockumentary! I feel quite embarrassed that I hadn't seen it before. Seriously, hilariously excellent. It really could be real.

Michael McKean is unrecognisable and superb. Wow.

If you love music, enjoy a good laugh, you will love this.

When it comes to the glorious stupidity of rock 'n' roll music, the whip-smart mockumentary gold standard "This Is Spinal Tap" has no peers. Sidesplitting on an epic scale, this is also a shortlist candidate for Greatest Comedy Ever, and can claim parentage of every self-aware music film made since, from the wildly inventive "24 Hour Party People (2002)," to recent Tap-evocative record label satire "Stadium Anthems (2018)."

"Tap" now transcends its early filmic and rock confines: Nigel Tufnel, David St. Hubbins, and Derek Smalls have burrowed deep into the cultural zeitgeist, holding sway in the very words we choose in conversations at the pub and by the water cooler (see: "goes to eleven"). And its commentary on the fleeting absurdities of fame have never been more relevant.

Almost forty years old and still swallowing everything in its path, "This Is Spinal Tap" is as enduring as it is the hilarious, and that's quite a feat. This is one of the most joyously experienced entertainment vehicles ever assembled. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!) - WATCHED IT? THEN WATCHLIST: "Being John Malkovich (1999)," "Stadium Anthems (2018)," "24 Hour Party People (2002)"

A classic, scathing lampoon of every successful rock band that's ever been guilty of taking themselves too seriously. Rob Reiner directs (and plays an important supporting role) but it seems like all he really needed to do was point a camera in the right direction, then edit several hours' worth of golden improvisational delight into a concise, intelligible ninety-minute package. It's a roaring parade of nonstop laughs, some blunt and easy, others sharp and witty. Famous bits like Christopher Guest's "this one goes to eleven" have been played to death but still elicit smiles, while deeper cuts, such as the band's reaction to contemporary critics or their infamous Stonehenge performance, land as if they were brand new. And the music is great, too, not just as a cutting satire, but as a convincing love letter to the days when power rock was all the rage and flocks of buzzed, well-feathered teens would still pack a stadium to hear the loudest noise on the planet.