An Italian hit man protects a New York orphan.An Italian hit man protects a New York orphan.An Italian hit man protects a New York orphan.
- Awards
- 5 wins & 16 nominations total
Willi One Blood
- 1st Stansfield Man
- (as Willie One Blood)
Lucius Wyatt Cherokee
- Tonto
- (as Lucius Wyatt 'Cherokee')
Maïwenn
- Blond Babe
- (as Ouin-Ouin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Leon: The Professional' is acclaimed for its exploration of themes like friendship, redemption, and loyalty, alongside strong performances by Jean Reno, Natalie Portman, and Gary Oldman. The film's stylish direction, cinematography, and emotional depth are widely appreciated. However, it faces criticism for unrealistic plot points, particularly the relationship between Leon and Mathilda, and the portrayal of corrupt law enforcement. Some find the action sequences uninspired and the humor ineffective, though many still value its artistic and emotional impact.
Featured reviews
"...if it's from a person who doesn't care about it."
What really stands out for me (aside from the really excellent direction of the action sequences) is the too-brilliant for its own good script. Oldman,Reno, and Portman deliver lines that would seem goofy if spoken by lesser performers. Oldman especially chews the scenery in a way that's both amusing and utterly menacing. I wonder if his Beethoven obsession is a nod to the ultra-violent Alex from A Clockwork Orange?
The American version ("The Professional") was the first version I saw. I'd originally had no real intention of seeing it because I'd read a pretty savage review of it likening it to child pornography. Clearly this particular reviewer had his head firmly planted in his rear. I'm surprised he could find room what with that tremendous stick in the way. Anyway, once I finally saw "Leon" for myself - thanks to my cinemaphile grandfather - I observed no such thing. This wasn't smut, it was love. Leon has no interest in Matilda sexually, but loves her as a father would love a daughter.
If you have a choice then go for the longer director's cut. You get about 15 minutes more film - and not just filler. These are scenes that truly expand upon the story.
My only complaints are about the almost complete under use of the completely underrated Danny Aiello, and Oldman's single dimensional evilness.
What really stands out for me (aside from the really excellent direction of the action sequences) is the too-brilliant for its own good script. Oldman,Reno, and Portman deliver lines that would seem goofy if spoken by lesser performers. Oldman especially chews the scenery in a way that's both amusing and utterly menacing. I wonder if his Beethoven obsession is a nod to the ultra-violent Alex from A Clockwork Orange?
The American version ("The Professional") was the first version I saw. I'd originally had no real intention of seeing it because I'd read a pretty savage review of it likening it to child pornography. Clearly this particular reviewer had his head firmly planted in his rear. I'm surprised he could find room what with that tremendous stick in the way. Anyway, once I finally saw "Leon" for myself - thanks to my cinemaphile grandfather - I observed no such thing. This wasn't smut, it was love. Leon has no interest in Matilda sexually, but loves her as a father would love a daughter.
If you have a choice then go for the longer director's cut. You get about 15 minutes more film - and not just filler. These are scenes that truly expand upon the story.
My only complaints are about the almost complete under use of the completely underrated Danny Aiello, and Oldman's single dimensional evilness.
A hitman is forced to look after twelve year old Matilda, who's family has been killed.
Leon was and will forever be a masterpiece, it is a thought provoking, dramatic and pretty violent thriller, one that will actually challenge you, making you question what's actually happening in front of your eyes.
Violent and bleak in parts, but not lacking some humour, the game of charades for example is a real hoot, and breaks the serious narrative up a little.
Best scene for me, the showdown in The Gent's toilet, where Matilda finally confronts Stan, the acting is off the scale.
The relationship between Leon and Matilda is complex, but one thing that I noticed, is that every aspect of it is driven by Matilda, not Leon, he just goes with the flow.
The acting is phenomenal, there are a trio of first class performances, Jean Reno and Gary Oldman as you'd expect are captivating, but credit to a young Natalie Portman who is on par, defying her young age and inexperience, no wonder.
This amazing film still packs a punch.
10/10.
Leon was and will forever be a masterpiece, it is a thought provoking, dramatic and pretty violent thriller, one that will actually challenge you, making you question what's actually happening in front of your eyes.
Violent and bleak in parts, but not lacking some humour, the game of charades for example is a real hoot, and breaks the serious narrative up a little.
Best scene for me, the showdown in The Gent's toilet, where Matilda finally confronts Stan, the acting is off the scale.
The relationship between Leon and Matilda is complex, but one thing that I noticed, is that every aspect of it is driven by Matilda, not Leon, he just goes with the flow.
The acting is phenomenal, there are a trio of first class performances, Jean Reno and Gary Oldman as you'd expect are captivating, but credit to a young Natalie Portman who is on par, defying her young age and inexperience, no wonder.
This amazing film still packs a punch.
10/10.
10jcapelli
This movie is rated 63 on the imdb top 250 movie list, showing that people obviously like this movie, and with good reason. But why the hell didn;t this movie garner at least one single oscar or golden globe nomination??
natalie portman's performance was terrific as the emotionally ravaged matildha - best actress nomination for sure.
jean reno should have been nominated for a best actor nomination. the fact that the audience is led to feel sympathy and sorrow for a hitman speaks words enough about his performance.
gary oldman is fantastic as the corrupt and psychotic cop. his character is so repulsive and chilling, but at the same time so quirky and interesting to watch. best supporting actor nomination.
luc besson. when this man will get some kudos for his work i never know. the professional, in my opinion, is his greatest achievement as a director and, considering the fact he has helmed classic cult films such as nikita and the fifth element, the professional must rate highly as one of the best films of the 90's atleast! best film and best director nominations should have been given.
but no, it was all too easy to heap praise on the feel good movie forrest gump, and shun the movie that, through its intensity and tragedy, better highlights the value of life and love.
natalie portman's performance was terrific as the emotionally ravaged matildha - best actress nomination for sure.
jean reno should have been nominated for a best actor nomination. the fact that the audience is led to feel sympathy and sorrow for a hitman speaks words enough about his performance.
gary oldman is fantastic as the corrupt and psychotic cop. his character is so repulsive and chilling, but at the same time so quirky and interesting to watch. best supporting actor nomination.
luc besson. when this man will get some kudos for his work i never know. the professional, in my opinion, is his greatest achievement as a director and, considering the fact he has helmed classic cult films such as nikita and the fifth element, the professional must rate highly as one of the best films of the 90's atleast! best film and best director nominations should have been given.
but no, it was all too easy to heap praise on the feel good movie forrest gump, and shun the movie that, through its intensity and tragedy, better highlights the value of life and love.
10Methos-7
Luc Besson's movie Léon (The Professional) gives us an intense story which is maximized in potential by the casting of the movie done by Todd Thaler. Every aspect of the movie delivers to the audience and makes an impressive overall package. Jean Reno plays a character named Léon who has learned to repress his emotions in order to perform his job as a "cleaner", or hit-man. His secluded world is shattered by the young girl named Mathilda who lives on the same floor as he does in an apartment building. When she turns to him for help, he learns about living a normal life, even if the circumstances which unite them are far from normal.
The performance delivered by then twelve-year old Natalie Portman as Mathilda is nothing short of brilliant. Her ability to relate to others with body movement and facial gestures is matched by few, she really brings raw emotion and believability to a difficult role. Mathilda and Léon are unexpectedly thrown together, but learn to value life from their chance encounter, and how valuable a friendship can be.
Jean Reno as Léon gives us a solemn and calculated character who sets all of his energy on his assignments until her is given something else to care about. Mathilda gives him the daughter that he never had, while Léon serves as a father and friend to her. Gary Oldman, as the corrupt DEA Agent Norman Stansfield, offers the viewers an amazingly wired and electrical performance which pushes the envelope. He moves the story along by his actions. Oldman offers us a memorable portrait of a sadistically obsessed man who stops short of nothing to get what he wants.
The Professional is what movie-making is all about. Without the overuse of special effects, a large shooting location, or a commercially star studded cast, we are given all that could possibly be asked for in a movie. Portman, Oldman, and Reno, along with Danny Aiello as the hit-contractor Tony remind us that there is no substitute for great acting. There are elements of comedy, drama, and action, and great original music by Eric Serra adds to the energy the film already encapsulates. The most impressive thing about the movie is its story which is basic but is maximized by all the other elements which go into the making of the movie. Simply put, an intense and impressive movie.
The performance delivered by then twelve-year old Natalie Portman as Mathilda is nothing short of brilliant. Her ability to relate to others with body movement and facial gestures is matched by few, she really brings raw emotion and believability to a difficult role. Mathilda and Léon are unexpectedly thrown together, but learn to value life from their chance encounter, and how valuable a friendship can be.
Jean Reno as Léon gives us a solemn and calculated character who sets all of his energy on his assignments until her is given something else to care about. Mathilda gives him the daughter that he never had, while Léon serves as a father and friend to her. Gary Oldman, as the corrupt DEA Agent Norman Stansfield, offers the viewers an amazingly wired and electrical performance which pushes the envelope. He moves the story along by his actions. Oldman offers us a memorable portrait of a sadistically obsessed man who stops short of nothing to get what he wants.
The Professional is what movie-making is all about. Without the overuse of special effects, a large shooting location, or a commercially star studded cast, we are given all that could possibly be asked for in a movie. Portman, Oldman, and Reno, along with Danny Aiello as the hit-contractor Tony remind us that there is no substitute for great acting. There are elements of comedy, drama, and action, and great original music by Eric Serra adds to the energy the film already encapsulates. The most impressive thing about the movie is its story which is basic but is maximized by all the other elements which go into the making of the movie. Simply put, an intense and impressive movie.
10Sickfrog
This film, better known in the U.S. as "The Professional", is a wonderful and intense film. Jean Reno plays his role as a "cleaner" with incredible subtlety. Leon tries to keep his emotions completely suppressed, yet Matilda (in an extraordinary performance by a young Natalie Portman, who is destined to become a very powerful actress into her adult life) bring out in him a new-found joy for life that accompanies his growing paternal instincts. But, the most dynamic element of this film is undeniably Gary Oldman's performance as a wildly sadistic and crooked DEA agent with his own narcotic-induced demons. His obsessions eventually lead him to the brink of absolute madness in his hunt for the cleaner. Truly, this is Oldman's finest performance to date, worthy of Oscar glory, though sadly forgotten. And so, Luc Besson did indeed top his triumph of "La Femme Nikita" by far with this masterpiece. Though, I cannot exactly praise his most recent effort with the sci-fi misfire, "The Fifth Element."
Did you know
- TriviaIt was Jean Reno's decision to play Léon as if he were "a little mentally slow" and emotionally repressed. He felt that this would make audiences accept that Léon wasn't someone who would take advantage of a vulnerable young girl. Reno claims that for Léon, the possibility of a physical relationship with Mathilda is inconceivable, so when such a relationship is discussed in the movie, Reno very much allowed Portman to be emotionally in control of the scenes. Reno stated that his rationale for agreeing to play the part was that his character was a 10 year old boy in love with a 12 year old girl, so the relationship could only ever be platonic.
- GoofsMany viewers believe that Stansfield never saw Leon, and therefore could not recognize him at the end, but may not remember that Stansfield visited Tony at the restaurant after Leon had killed part of Stansfield's crew. Thus, being intimidated and threatened by Stansfield, it could be assumed that Tony gave him a complete description of Leon, and possibly a photograph.
- Crazy creditsUnder the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts)
- Alternate versionsIn the original version there is a shot of Tony's place at night just before Stansfield and his men come in on the birthday party. This isn't in the 'Version integrale' (International Cut).
- SoundtracksShape Of My Heart
Written by Sting and Dominic Miller
Introduction by Dominic Miller
Performed by Sting
Courtesy of Magnetic Ltd. / A&M Records
by arrangement with PolyGram Special Projects
- How long is Léon: The Professional?Powered by Alexa
- Why does Leon always drink milk?
- How did Leon manage to disappear after holding a man at knifepoint?
- Why does every scene in this film take place during the day?
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- El perfecto asesino
- Filming locations
- Paris, France(Leon's apartment interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $19,501,238
- Opening weekend US & Canada
- $5,306,558
- Nov 20, 1994
- Gross worldwide
- $20,330,788
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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